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"What if there was something essentially wrong with Claude Sylvanshine that wasn't wrong with other people? What if he was simple ill-suited, the way some people are born without limbs or certain organs? The neurology of failure. What if he was simply born and destined to live in the shadow of Total Fear and Despair, and all his so-called activities were pathetic attempts to distract him from the inevitable?"
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"We live in the shadows of perception. Our dull awareness gives us no useful clues as to why we are here."
"Disquietude that springs from the fundamental nature of being a human being is vaster and more encompassing than depression, which has a cause and therefore a cure."
"All life depends upon the opportunistic interplay between elemental forces, the mysterious dualities of the numinous universe. Ying and yang forces of the natural world (lightness and darkness, fire and water, expansion and contraction) create tangible dualities that are complementary, interconnected, and independent. Without the firmament in the midst of the waters, without both sunshine and water, no life forms could subsist on this rocky orb. Without the rich soil surrounded by a canopy of an illimitable sky how could we feed ourselves, how could we breathe?"
"It seems to me that I have always existed and that I possess memories that date back to the Pharaohs."
"This exists. It can be seen. It can be touched. These in pace, these dungeons, these iron hinges, these necklets, that lofty peep-hole on a level with the river's current, that box of stone closed with a lid of granite like a tomb, with this difference, that the dead man here was a living being, that soil which is but mud, that vault hole, those oozing walls, --what declaimers!"
Explore more quotes by David Foster Wallace
"The great thing about irony is that it splits things apart, gets up above them so we can see the flaws and hypocrisies and duplicates."
"To make someone an icon is to make him an abstraction, and abstractions are incapable of vital communication with living people.1010 One has only to spend a term trying to teach college literature to realize that the quickest way to kill an author's vitality for potential readers is to present that author ahead of his time as "great" or "classic." Because then the author becomes for the students like medicine or vegetables, something the authorities have declared "good for them" that they "ought to like," at which point the students' nictitating membranes come down, and everyone just goes through the requisite motions of criticism and paper-writing without feeling one real or relevant thing. It's like removing all oxygen from the room before trying to start a fire."
"I will be conveyed to an Emergency Room of some kind, where I will be detained as long as I do not respond to questions, and then, when I do respond to questions, I will be sedated; so it will be an inversion of standard travel, the ambulance and ER: I'll make the journey first, then depart."
"I have always tried to avoid talking to pretty girls, because pretty girls have a vicious effect on me in which every part of my brain is shut down except for the part that says unbelievably stupid things and the part that is aware that I am saying unbelievably stupid things."
"Huh. Well you and I just disagree. Maybe the world just feels differently to us. This is all going back to something that isn't really clear: that avant-garde stuff is hard to read. I'm not defending it, I'm saying that stuff - this is gonna get very abstract - but there's a certain set of magical stuff that fiction can do for us. There's maybe thirteen things, of which who even knows which ones we can talk about. But one of them has to do with the sense of, the sense of capturing, capturing what the world feels like to us, in the sort of way that I think that a reader can tell "Another sensibility like mine exists." Something else feels this way to someone else. So that the reader feels less lonely."
"I never, even for a moment, doubted what they'd told me. This is why it is that adults and even parents can, unwittingly, be cruel: they cannot imagine doubt's complete absence. They have forgotten."
"For me, boviscopophobia (=the morbid fear of being seen as bovine) is an even stronger motive than semi-agoraphobia for staying on the ship when we're in port."
"Nuclear weapons and TV have simply intensified the consequences of our tendencies, upped the stakes."
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