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"One feature of the usual script for plague: the disease invariably comes from somewhere else. The names for syphilis, when it began its epidemic sweep through Europe in the last decade of the fifteenth century are an exemplary illustration of the need to make a dreaded disease foreign. It was the "French pox" to the English, morbus Germanicus to the Parisians, the Naples sickness to the Florentines, the Chinese disease to the Japanese. But what may seem like a joke about the inevitability of chauvinism reveals a more important truth: that there is a link between imagining disease and imagining foreignness."
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"History must be documented, every moment is a sacred history."

"Once upon a time, there was a civilization in the eastern side of the world. It was one of the most advanced civilizations on the planet that existed during that time.This civilization was the glorious Indus valley civilization. No, I am not talking about India. I am talking about the land of greatness that got lost in time. Today, in the same geographical location of that great civilization, we have a piece of earth, which is known as "India. But do not mistake it to be the same glorious land that existed thousands of years ago, along with other magnificent civilizations, such as the Greeks, the Mayans, the Egyptians, the Babylonians etc."

"Every period in history has its own peculiarities."

"During the Cold War of the 1950s, American spies were issued eyeglasses with thick, clunky frames. If captured, they were trained to casually chew the curved earpieces, where fatal doses of cyanide were cast inside the plastic. It's these same horn-rimmed suicide glasses, the wrangler says, that inspired the look of Buddy Holly and Elvis Costello. All those young hipsters wearing death on their nose."

"Imagine the ancient society of India, and in fact all over the world, a few thousands years ago. In those days, rational thinking was quite scarce. Ignorance was the default mode of thinking. Only a handful of individuals were capable of higher intellectual thinking."
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"This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job."


"Surrealism is a bourgeois disaffection; that its militants thought it universal is only one of the signs that it is typically bourgeois."


"The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means."


"Reading usually precedes writing. And the impulse to write is almost always fired by reading. Reading, the love of reading, is what makes you dream of becoming a writer."


"A fiction about soft or easy deaths is part of the mythology of most diseases that are not considered shameful or demeaning."


"It is not altogether wrong to say that there is no such thing as a bad photograph - only less interesting, less relevant, less mysterious ones."


"Societies need to have one illness which becomes identified with evil, and attaches blame to its victims."
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