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Libba Bray

"To those who will see, the world waits."

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"To those who will see, the world waits."

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Amber Hurdle

"Fortunate are those who take the first steps."

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Amber Hurdle

"The big miracle you await will likely first appear in a small encounter or chance event. So always be aware and open, you never know what today will bring."

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Amber Hurdle

"Loss is the uninvited door that extends us an unexpected invitation to unimaginable possibilities."

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Amber Hurdle

"No great man ever complains of want of opportunity."

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Amber Hurdle

"Opportunity is always coming but never knocks on the door. You have to get up and meet him."

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Amber Hurdle

"Don't wait for the opportunity, create it."

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Amber Hurdle

"One who doesn't recognise an opportunity is bigger loser than one who tries his hand at an opportunity."

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Amber Hurdle

"Just like watering the field will cause both the desired seed and the undesirable weed to germinate, the opportunities for your mission in life will be equally presented with real-life threats."

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Amber Hurdle

"No noble opportunity is small. Mind small opportunities with noble traits, though they may seem quite uncanny at first sight; in the mind, you shall wonder!"

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Amber Hurdle

"If the risk-reward ratio is right you can make big money buying trouble."

Explore more quotes by Libba Bray

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Libba Bray
"You and I, we must carry on, Gemma. I cannot afford the luxury of love. I must marry well. And now I must look after you. It is my duty.""If you wish to suffer, you do so of your own free will, not on my behalf. Or Father's or Grandmama's or anyone's. You are a fine physician, Thomas. Why is that not enough?""Because it isn't," he says with a rare candor. "Only this and the hope of nothing more? A quiet respectability with no true greatness or heroism in it, with only my reputation to recommend me. So you see, Gemma, you are not the only one who cannot rule her own life."
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Libba Bray
"I got married in Florence, Italy. My husband and I were in love but totally broke, so we eloped and got married in Italy, where he was going on a business trip. We had to pull a guy off the street to be our witness. It was incredibly romantic. Florence is still one of my favorite cities in the world."
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Libba Bray
"Write like it matters, and it will."
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Libba Bray
"There is no greater power on this earth than story."
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Libba Bray
"I've been thinking about that book about the boys who crash on the island....Lord of the Flies what about it....You know how you said it wasn't a true measure of humanity since there were no girls and you wondered how it would be different if there had been girls...Maybe girls need an island to find themselves. Maybe they need a place where no one's watching them so they can be who they really are."
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Libba Bray
"I stare at the pile of discarded remnants and think of my mother. Did she touch that pillar there? Does her scent still linger in a fragment of glass or a splinter of wood? A terrible emptiness settles into my chest. No matter how much I go about living, there are always small reminders that make the loss fresh again."
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Libba Bray
"I run after her, not really giving chase. I'm running because I can, because I must.Because I want to see how far I can go before I have to stop."
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Libba Bray
"Agent Jones switched to the big screen and a grainy video of MoMo sitting at his enormous desk, a swivel-hipped Elvis clock ticking behind his bewigged head. 'Death to the capitalist pigs! Death to your cinnamon bun-smelling malls! Death to your power walking and automatic car windows and I'm With Stupid T-shirts! The Republic of ChaCha will never bend to your side-of-fries -drive -through-please-oh-would-you-like-ketchup-with-that corruption! MoMo B. ChaCha defies you and all you stand for, and one day, you will crumble into the sea and we will pick up the pieces and make them into sand art."
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Libba Bray
"I'm sorry, Gemma. But we can't live in the light all of the time. You have to take whatever light you can hold into the dark with you."
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Libba Bray
"Every city is a ghost.New buildings rise upon the bones of the old so that each shiny steel bean, each tower of brick carries within it the memories of what has gone before, an architectural haunting. Sometimes you can catch a glimpse of these former incarnations in the awkward angle of a street or filigreed gate, an old oak door peeking out from a new facade, the plaque commemorating the spot that was once a battleground, which became a saloon and is now a park."
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