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Fay Wray

"Crawford washed her hands a lot. She washed her arms all the way up past her elbows. She just couldn't get enough done in that direction. She was compulsive about being clean, clean, clean!"

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"Crawford washed her hands a lot. She washed her arms all the way up past her elbows. She just couldn't get enough done in that direction. She was compulsive about being clean, clean, clean!"

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Amber Hurdle

"Stop aspiring and start being. The world needs you!"

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"To me, living in the present means being aware of your conscious choice to focus on the past, present or future - it is not necessarily having to focus on the present."

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Amber Hurdle

"Initiative is doing the right thing without being told."

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Amber Hurdle

"Censure is the tax a man pays to the public for being eminent."

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Amber Hurdle

"Being president is like being a jackass in a hailstorm. There's nothing to do but to stand there and take it."

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Amber Hurdle

"Alexander Hamilton started the U.S. Treasury with nothing, and that was the closest our country has ever been to being even."

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Amber Hurdle

"Being a hero is about the shortest-lived profession on earth."

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Amber Hurdle

"One cannot be deeply responsive to the world without being saddened very often."

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Amber Hurdle

"Your unstoppable nature is becoming and blooming - you simply, are. Go easy."

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Amber Hurdle

"I have the handicap of being born with a special language to which I alone have the key."

Explore more quotes by Fay Wray

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Fay Wray
"For the purposes of the play, it was perfect to be able to use that and the stresses and strains that there were. At the end of the play, the mother realizes the terrible things she had done."
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Fay Wray
"Juan Tripp was a friend. Good name for an airline man, huh? Juan Tripp after another?"
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Fay Wray
"The producers who wanted me to do it liked me and trusted me, and more than one scene was only one take, because I'd plan ahead what I thought would be appropriate for that scene-so one take was enough."
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Fay Wray
"Lillian Gish thought that there should be a cabinet position for the arts and I think she was right. I think she was right."
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Fay Wray
"Well, the Empire State was about 40' high in the studio. King Kong was a little model about 2' high, and the scenery that he worked in was in proportion to his size."
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Fay Wray
"So I was asked to do horror film after horror film, a series of about five, after that, and some of those were a little too gruesome. I wasn't too comfortable all the time in those. I didn't really care for them."
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Fay Wray
"They were very considerate, I must say. Every time I felt I was about to slip out of these fingers and would yell for help, they'd let me down and re-organize things."
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Fay Wray
"It was so satisfying for me - a great reward, just to see it done well. And it was beautifully directed by my daughter Susan Riskin. Imagine, a play about my mother directed by my daughter?!"
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Fay Wray
"When the picture was finished, they took me into the sound room and then I screamed more for about five minutes just steady screaming, and then they'd cut that in and add it."
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Fay Wray
"It was good for us, I suppose. Those kinds of times produce qualities in us that make us better for having had them. My parents were not getting along. My mother was quite intolerant of friendships that were being developed."
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