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"He saw it for the first time: on the day he died he would be wearing unmatching socks, there would be unanswered e-mails, and in the hovel he called home there would still be shirts missing cuff buttons, a malfunctioning light in the hall, and unpaid bills, uncleared attics, dead flies, friends waiting for a reply and lovers he had not owned up to."
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"Tombstones covered the dale, the smooth marble surfaces bright. She had spent days here as a teenager, though not out of any awareness of mortality. Like every adolescent, she intended to live forever."

"And then his noise falls completely silent-And he stops struggling-And looking right into my eyes-He dies.My Todd dies."

"Ay, but to die, and go we know not where;To lie in cold obstruction and to rot;This sensible warm motion to becomeA kneaded clod; and the delighted spiritTo bathe in fiery floods, or to resideIn thrilling region of thick-ribbed ice;To be imprison'd in the viewless winds,And blown with restless violence round aboutThe pendent world; or to be worse than worstOf those that lawless and incertain thoughtImagine howling: 'tis too horrible!The weariest and most loathed worldly lifeThat age, ache, penury and imprisonmentCan lay on nature is a paradiseTo what we fear of death."
Explore more quotes by Ian McEwan


"While my friends struggled and calculated, I reached a solution by a set of floating steps that were partly visual, partly just a feeling for what was right. It was hard to explain how I knew what I knew."


"One important theme is the extent to which one can ever correct an error, especially outside any frame of religious forgiveness. All of us have done something we regret - how we manage to remove that from our conscience, or whether that's even possible, interested me."


"I'm sorry to disappoint you, but my experience belongs to me, not the collective bloody unconscious."


"They were beyond the present, outside time, with no memories and no future. There was nothing but obliterating sensation, thrilling and swelling, and the sound of fabric on fabric and skin on fabric as their limbs slid across each other in this restless, sensuous wrestling. ... They moved closer, deeper and then, for seconds on end, everything stopped. Instead of an ecstatic frenzy, there was stillness. They were stilled not by the astonishing fact of arrival, but by an awed sense of return - they were face to face in the gloom, staring into what little they could see of each other's eyes, and now it was the impersonal that dropped away."


"When he thought of her, it rather amazed him, that he had let that girl with her violin go. Now, of course, he saw that her self-effacing proposal was quite irrelevant. All she had needed was the certainty of his love, and his reassurance that there was no hurry when a lifetime lay ahead of them. Love and patience- if only he had had them both at once- would surely have seen them both through."


"Wasn't writing a kind of soaring, an achievable form of flight, of fancy, of the imagination?"


"There's pathos in this familiar routine, in the sounds of homely objects touching surfaces. And in the little sigh she makes when she turns or slightly bends our unwieldy form. It's already clear to me how much of life is forgotten even as it happens. Most of it. The unregarded present spooling away from us, the soft tumble of unremarkable thoughts, the long-neglected miracle of existence. When she's no longer twenty-eight and pregnant and beautiful, or even free, she won't remember the way she set down the spoon and the sound it made on slate, the frock she wore today, the touch of her sandal's thong between her toes, the summer's warmth, the white noise of the city beyond the house walls, a short burst of birdsong by a closed window. All gone, already."
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