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Albert Finney

"He tells you stories, but then, after a while, when you want more, he doesn't give you more. He insists on this old elaboration, the old stories that never changes."

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"He tells you stories, but then, after a while, when you want more, he doesn't give you more. He insists on this old elaboration, the old stories that never changes."

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Amber Hurdle

"In our heads we're all about 33 years old."

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Amber Hurdle

"We do not quit playing because we grow old, we grow old because we quit playing."

Old,
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Amber Hurdle

"I'm 37 years old and don't have a steady paycheck."

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Amber Hurdle

"Keeping score of old scores and scars, getting even and one-upping, always makes you less than you are."

Old,
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Amber Hurdle

"That was one of the best, exciting things for me to play with them. They were very young and eager to go. I'd been playing with a band that was mostly old folks that had been together so long we couldn't do anything to excite each other."

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Amber Hurdle

"I don't plan to grow old gracefully. I plan to have face-lifts until my ears meet."

Old,
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Amber Hurdle

"New York lost a classic. Carmine was an old school New Yorker."

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Amber Hurdle

"A museum has to renew its collection to be alive, but that does not mean we give on important old works."

Old,
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Amber Hurdle

"Redd Foxx was the same gruff old codger you saw on television."

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Amber Hurdle

"You just witnessed an old-fashioned rump kicking."

Old,

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Albert Finney
"To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life."
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Albert Finney
"It's a marvellous life, a gregarious life that we've had. We're very lucky in that way. Unlike writers or painters, we don't sit down in front of a blank canvas and say, 'How do I start? Where do I start?'"
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Albert Finney
"There might've been wires, but I have this ability to make myself light. Well you know what, in ballet, when you kind of lift yourself here, it's all up in the head."
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Albert Finney
"They have to exist or not in their own right. I mean, with kids, you don't say, 'Which is your favourite,' or 'Which did you enjoy bringing up the best?'"
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Albert Finney
"You come on as a guest. You don't get the girl anymore. But that is our lives. You start off as the boyfriend, then you are the lover, then you are the husband, then you are the father, and then you are the grandfather."
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Albert Finney
"She goes on the set with headphones and gives you notes. She's terrific and I always run to her now, because she is just great to work with, as well as very good at different accents."
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Albert Finney
"No, she is right up there with the best I've worked with. I was very impressed with her, I really was."
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Albert Finney
"I haven't seen the film yet because I just got in from London. In the scenes where the two characters are bantering with each other, it is like bobbing at the net in tennis."
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Albert Finney
"Well, I've always thought that my career was in England, really. I used to do more in the theatre, and I felt that I should be there. It's not far is it? It's amazing the way that special FX have taken a quantum leap in what they're capable of doing."
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Albert Finney
"My dad was great. He was very droll, very dry."
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