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Rebecca Solnit

"Leave the door open for the unknown, the door into the dark. That's where the most important things come from, where you yourself came from, and where you will go."

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"Leave the door open for the unknown, the door into the dark. That's where the most important things come from, where you yourself came from, and where you will go."

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Asa Don Brown

"We must leave the discovery of this mystery, like all others, to time, and accident, and Heaven's pleasure."

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"Now me, said Mr. Vandemar."What number am I thinking of? "I beg your pardon? "What number am I thinking of? repeated Mr. Vandemar. "It's between one and a lot, he added, helpfully."

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Asa Don Brown

"I'm sure that I know that, it's behind one of all doors."

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"Unknown is interesting like the Dead zone... you never know where you will go."

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"All the supernatural yarns need a realist explanation and a supernatural one."

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Asa Don Brown

"He is the greatest mystery I had even known, one that always had me craving just a little bit more."

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"I'd seen weirder things than a haunted shoe, but not many."

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Asa Don Brown

"I didn't intend to go in that direction but strange things happen when the lights go out."

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Asa Don Brown

"Such nice people, the Hillingdons, though she's not really very easy to know, is she? I mean, she's always very pleasant and all that, but one never seems to get to know her better.'Miss Marple agreed thoughtfully. 'One never knows what she is thinking.''Perhaps that is just as well.''I beg your pardon?''Oh nothing really, only that I've always had the feeling that perhaps her thoughts might be rather disconcerting."

Explore more quotes by Rebecca Solnit

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Rebecca Solnit
"Women often find great roles in revolution, simply because the rules fall apart and everyone has agency, anyone can act. As they did in Egypt, where liberty leading the masses was an earnest young woman in a black hijab."
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Rebecca Solnit
"Feminism has both undone the hierarchy in which the elements aligned with the masculine were given greater value than those of the feminine and undermined the metaphors that aligned these broad aspects of experience with gender. So, there goes women and nature. What does it leave us with? One thing is a political mandate to decentralize privilege and power and equalize access, and that can be a literal spatial goal too, the goal of our designed landscapes and even the managed ones -- the national parks, forests, refuges, recreation areas, and so on."
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Rebecca Solnit
"Feminism is an endeavor to change something very old, widespread, and deeply rooted in many, perhaps most, cultures around the world, innumerable institutions, and most households on Earth-and in our minds, where it all begins and ends. That so much change has been made in four or five decades is amazing; that everything is not permanantly, definitively, irrevocably changed is not a sign of failure. A woman goes walking down a thousand-mile road. Twenty minutes after she steps forth, they proclaim that she still has nine hundred ninety-nine miles to go and will never get anywhere."
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Rebecca Solnit
"In that moment, we knew that we were all weird, all in this together, and that addressing our own suffering, while learning not to inflict it on others, is part of the work we're all here to do. So is love, which comes in so many forms and can be directed at so many things."
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Rebecca Solnit
"Beauty is one of the things that make you cry and so maybe beauty is always tied up in tears."
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Rebecca Solnit
"You read enough books in which people like you are disposable, or are dirt, or are silent, absent, or worthless, and it makes an impact on you. Because art makes the world, because it matters, because it makes us. Or breaks us."
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Rebecca Solnit
"To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin's terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery."
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Rebecca Solnit
"For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom."
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Rebecca Solnit
"I like incidents of that sort, when forces that are usually so sneaky and hard to point out slither out of the grass and are as obvious as, say, an anaconda that's eaten a cow or an elephant turd on the carpet."
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Rebecca Solnit
"When exactly do the abuses that have been tolerated for so long become intolerable? When does the fear evaporate and the rage generate action that produces joy?"
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