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"I go for as much feeling as I can rather than show what I can do up and down the neck. I don't play to show people ability."
People
"A wah-wah is important as well. I love it; it makes the guitar scream."
Love
"It all comes down to the density of the wood. Every guitar's different."
Guitar
"I don't tend to have a favorite album; I tend to have favorite tracks. There are flaws in every album that spoil it for me."
Favorite
"A certain death of an artist is overconfidence."
Death
"I wouldn't count myself as being a true blues guitarist because I feel you have to live it."
Being
"I can't say I feel influenced by today's guitar players."
Guitar
"I feel that my playing on the first album was probably some of my best."
First
"I've always been the first to admit that Jimi was a very big influence on my early stuff."
First
"While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio."
Time
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"I find that here in the States, audiences are generally less knowledgeable, from the cognitive point of view, though they are emotionally more receptive."
Author Name
Personal Development
"We have had to play some mighty tough audiences."
Author Name
Personal Development
"Anyway, I collapsed in France in the middle of a tour. I hadn't been eating properly, I was getting very phobic about audiences, and I collapsed in pure fright."
Author Name
Personal Development
"With stand-up you've just got that one chance. Audiences can be quite fickle."
Author Name
Personal Development
"So anyway, I really enjoyed the European audiences."
Author Name
Personal Development
"But you can't really know your audiences so well."
Author Name
Personal Development
"I have not wanted to intimidate audiences. I have not wanted my dancing to be an elitist form. That doesn't mean I haven't wanted it to be excellent."
Author Name
Personal Development
"I worked at NBC and MTV for two years, and it was very interesting to see the comparisons of audiences and the way that I would have to present a story to the two different places."
Author Name
Personal Development
"We're making this huge changeover from underground to more mainstream audiences. I don't know if we could ever repeat this type of feeling. We're really excited."
Author Name
Personal Development
"No producer should revive a play unless they have a very good reason for it. I think there's quite enough about a good play to make it available to new audiences."
Author Name
Personal Development
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