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Penelope Spheeris

"Rabid fans were literally jumping into the camera."

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"Rabid fans were literally jumping into the camera."

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Amber Hurdle

"The fault I find with our journalism is that it forces us to take an interest in some fresh triviality or other every day, whereas only three or four books in a lifetime give us anything that is of real importance."

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Amber Hurdle

"The only private sector industry where employees work with their lives on stake for the interest of common people is media industry."

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Amber Hurdle

"I had been thinking a lot about how the media has created this complex, fictionalized cartoon version of me, you know, this man-eating, jet-setting serial dater who reels them in, but scares them off because she's clingy and needy; then she's all dejected, so she goes into her lair and writes a song as a weapon. I mean, man, that's pretty intense. And I started thinking about what an interesting character that person is. And, if I was that person, what would my life motto be, my mantra? What would I say? I think I'd own it."

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Amber Hurdle

"Advertisements contain the only truths to be relied on in a newspaper."

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Amber Hurdle

"Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone."

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Amber Hurdle

"The little words in the Republic of Letters, like the little folks in a nation, are the most useful and significant."

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Amber Hurdle

"The death of a billionaire is worth more to the media than the lives of a billion poor people."

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Amber Hurdle

"If you interviewed 1,000 politicians and asked about whether the media's too soft or too hard, about 999 would say too hard."

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Amber Hurdle

"The minute viewers callin or write about your looks, they were not listening to what you were saying."

Explore more quotes by Penelope Spheeris

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Penelope Spheeris
"When men have money and power they get turned on, sexually. They get horny as hell. Can't imagine why, though."
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Penelope Spheeris
"Before you approach a production entity or even a potential producer, you should write up a treatment and register your show with the Writers Guild of America."
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Penelope Spheeris
"When we did Wayne's World, it was 14 million dollars and they didn't bug us too much because they just thought it was some little movie that nobody was ever going to see. We showed them."
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Penelope Spheeris
"It's really hard to imagine there ever being the kind of impact there was when punk rock happened in the late 70's. I wish there would be one big change like that again, but I don't know if that'll ever happen."
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Penelope Spheeris
"Those movies, Decline I and II and Suburbia, are dearly loved, but they never made any money. I didn't even have the rights for some of them."
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Penelope Spheeris
"If you are looking for a producer, try to contact established producers. Don't let the fear of theft paralyze you, or you will never get anywhere with it."
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Penelope Spheeris
"Arnold and Jamie Lee must have worked over the years with directors that did 50 takes, because I'd get like three takes or so and say, Ok, that's it, we're done."
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Penelope Spheeris
"Your best protection is to have an established agent make the contact."
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Penelope Spheeris
"Now, it's almost impossible to go out and do a film about a new form of music."
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Penelope Spheeris
"I really feel kind of guilty spending 80 million dollars. People are starving in the world."
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