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John Frankenheimer

"A disk unbeknownst to the director can go to the producer in another city or in another office and that producer can edit behind the director's back much easier than in the old days. Since these dailies are now put on videotape, more kinds of people have access to dailies."

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"A disk unbeknownst to the director can go to the producer in another city or in another office and that producer can edit behind the director's back much easier than in the old days. Since these dailies are now put on videotape, more kinds of people have access to dailies."

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John Frankenheimer
"I mean, this whole digital revolution is really eroding the director's importance on a movie because, number one, just from a practical standpoint, with floppy disks and the ability to put all of the film onto a disk, more people have access to the movie."
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John Frankenheimer
"The first assistant director is just so important that the choice of that person is critical to the movie."
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John Frankenheimer
"I've found that the more experts you have on a movie, the less control the director has."
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John Frankenheimer
"I think I've made some pretty decent films in the '80s and '90s."
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John Frankenheimer
"You have to really work with someone who you think is going to be a collaborator, who you think understands what you want to do with this movie and how you want to do it."
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John Frankenheimer
"If you cast the picture correctly, you have a whole lot of leeway. You can make mistakes in other aspects but pull it off with the right actors."
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John Frankenheimer
"The importance of the assistant director cannot be overemphasized."
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John Frankenheimer
"So I've had really great assistant directors for my last seven movies."
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John Frankenheimer
"If you don't cast well, you can be in real trouble."
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John Frankenheimer
"It's very eclectic, the way one chooses subjects in the movie business, especially in the commercial movie business. You need to develop material yourself or material is presented to you as an assignment to direct."
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