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"I recognize very much in Hopper that it does look like the United States; it looks like the 30's and my first impressions of everything, all of which I have to deal with and which gets mixed up in my work and probably gets mixed up in everybody else's work too."
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"With Fellini, the fear dropped out of my work because it was such a happy experience... hanging out with Fellini, having pasta on the set with Fellini, and going out with Fellini!"

"I really do hope that the Millennium Summit gives new impetus to the work of the United Nations."

"The rest of my work, besides sketching and keeping a diary, which was the most troublesome of all, consisted in making geological and zoological collections."

"Anytime we can take narcotics off the street it is significant because it takes them out of the hands of children. It certainly is not going to stop the drug problem, we have to work very, very hard."

"Give a typical employee a million, and, he is most likely to use the money to print his CV on fancier paper."

"For disappearing acts, it's hard to beat what happens to the eight hours supposedly left after eight of sleep and eight of work."

"Assuming roles is something that simply won't work for me, since I don't have a style. None at all."

"The moment you think you understand a great work of art, it's dead for you."
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"I think some of the things I deal with Hopper probably has dealt with also, since it's somewhat the same environment and I have pretty strong reactions to what this country looks like. It looks pretty dull and spare, and you like this and dislike it and it's very complicated."

"Well, I think there are artists who are more or less contemporary with Hopper who are more relevant."

"I pay a lot of attention to how things are done and the whole activity of building something is interesting."

"Building is just skilled labor, I suppose. It's a lot of work. I don't mind other people building them, but the way things go together and are made is interesting to me; I like that a lot."

"Tolstoy may not be showing that much of Russia at that time even. It's hard to tell. You tend to associate the quality of the period with what's lasted - what's still good. And that quality becomes the whole period."

"But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of experience of that particular moment."

"I haven't sufficient interest in objects or anything I can see around me to do what Oldenburg does."
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