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"But as I grew up as a child, falling in love with the theater and Shakespeare, my heroes were Sir Laurence Olivier and Sir John Gielgud."
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"How'd you know he was the one?""I didn't know. I don't think either of us knew."Heather rolled her eyes. "Neal knew - he proposed to you.""It's not like that," Georgie said. "You'll see. It's more like you meet someone, and you fall in love, and you hope that that person is the one - and then at some point, you have to put down your chips. You just have to make a commitment and hope that you're right."
"When love is roaming in our mind, looping in the deepest fringes of our heart, undreamt spaciousness emerges, repealing the constraints of triviality and letting stifling narrowness fade away. While our mindset is besieged by a revolving burst of emotion, our world is ultimately opening up. ['Cape of good hope']"
"So you will meet many 'someones' who will give a new definition to your name. And you can not build walls, must not close the door and please don't hide,because if you ask me about hurt and loveI will say love. Love because the hurt will come and go no matter what, but only love makes it worth while. Only love can cure it. Don't be scared. Go. Love."
"Unconditional love goes beyond holding on and letting go. Real love is about truth. It's about looking at what's really going on instead of the stories we tell ourselves about it. It's about being able to love someone from afar, when we need to, because we see that closeness turns us into the worst versions of ourselves."
"Love and work... work and love, that's all there is."
Explore more quotes by Patrick Stewart
"The truth of the matter is, all of those guys on Star Trek: The Next Generation actually want to be me. These impersonations they do are just some way of trying to feel what it must be like to be me. And I understand that! Because it feels really good to be Patrick Stewart!"
"I had come to the point when I realized it was unlikely that my film career was going to move beyond a certain level of role. And I was - because I had graphic instances of it - handicapped by the success of Star Trek. A director would say, 'I don't want Jean-Luc Picard in my movie' - and this was compounded by X-Men as well."
"Creating a believable world on the ship was very important, and technically they got better and better and better at showing the ship too."
"We had some very distinguished fans: I know one chancellor of a major university who used to schedule his meetings around Star Trek. We were thrilled to discover that Frank Sinatra was a big fan."
"As time went on, I did campaign to lighten the character a little bit, to introduce some romance into the episodes, outside activities, horse riding and fencing and mountaineering."
"During the course of the seven years I played scenes with an oil slick, I played a scene with a grain of rice. Sometimes with indescribable creatures. I remember having a conversation with something which was simply a smell, that's all. It was part of our job."
"Having played many roles of scientific intellect I do have an empathy for that world. It's been hard on me because flying the Enterprise for seven years in Star Trek and sitting in Cerebro in X-men has led people to believe that I know what I'm talking about. But I'm still trying to work out how to operate the air conditioning unit on my car."
"I began directing episodes, which was a great light every couple of months. We never short-changed our audience, but it became something that you had to work at rather than something that was a pleasure."
"William Shatner has one style. We have completely contrasting personalities. We're very good friends. I adore him, but we're very different people, so they were smart enough to write characters that reflected that."
"We've heard from many teachers that they used episodes of Star Trek and concepts of Star Trek in their science classrooms in order to engage the students."
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