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"When we took on the name The Drifters, we became the new Drifters, and signed a contract to be put on salary, which I think was like a hundred dollars a week, a piece, five hundred dollars for all five of us."
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"We had every kind of audience you could name. Young, old, not-so-old, some older than old, some younger than young: they were there, they were there! There was everything."

"I don't want to lose my name because that's how I know myself. There is a legacy here."

"It's been over 15 years since I toured... over 12 years since I did any recording under my own name. I never really intended to take that long of a hiatus."

"I never heard nobody in my audience call me any kind of names."

"I went for an outrageous form of expressing myself. It seemed to be a way that I could make my name and show that I was somebody."
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"When we took on the name The Drifters, we became the new Drifters, and signed a contract to be put on salary, which I think was like a hundred dollars a week, a piece, five hundred dollars for all five of us."
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"One of the members of the group, I can't remember which one, found out we were making $3 - $5,000 a night. We were getting a hundred dollars a week a piece. Everybody got upset about it."

"You were able to sing something they related to instantly, because it was part of what you felt. It was part of what you had already traveled through. It's part of the people you were associating with daily. It was all of that."

"When I got involved with The Five Crowns who later became The Drifters, and we got this hit record, I still was looking at this as kind of a fun thing."
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