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Trevor Nunn

"I would be terribly disappointed if anything would get in the way of my being cast in something, or if performances were canceled. It was a fix that I obviously needed."

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"I would be terribly disappointed if anything would get in the way of my being cast in something, or if performances were canceled. It was a fix that I obviously needed."

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Akiroq Brost

"The rare pleasure of being seen for what one is, compensates for the misery of being it."

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Akiroq Brost

"I am a being of Heaven and Earth, of thunder and lightning, of rain and wind, of the galaxies."

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Akiroq Brost

"Personally, I would say the 'master' of this whole thing is fate... Whoever is on the playing field is fair game, and it's up to them to avoid being used."

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Akiroq Brost

"I think being a woman is like being Irish. Everyone says you're important and nice, but you take second place all the same."

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Akiroq Brost

"There are advantages to being a star though - you can always get a table in a full restaurant."

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Akiroq Brost

"Don't bother about being modern. Unfortunately it is the one thing that, whatever you do, you cannot avoid."

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Akiroq Brost

"The way I see it is that all the ol' guff about being Irish is a kind of nonsense. I mean, I couldn't be anything else no matter what I tried to be. I couldn't be Chinese or Japanese."

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Akiroq Brost

"If nothing else, we simply get used to being alive."

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Akiroq Brost

"Sometimes being famous gets in the way of doing what you want to do."

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Akiroq Brost

"I think now I'm being taken a little more seriously. That's pure conjecture on my part."

Explore more quotes by Trevor Nunn

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Trevor Nunn
"In my teens, I developed a passionate idolatry for a teacher of English literature. I wanted to do something that he would approve of more, so I thought I should be some sort of a scholar."
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Trevor Nunn
"The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable."
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Trevor Nunn
"I always believe it's better to have 30 imaginations working on a project, rather than one imagination telling the other 29 what to do."
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Trevor Nunn
"So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before."
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Trevor Nunn
"If you're a director, your entire livelihood and your entire creativity is based on your self-confidence. Sometimes that's dangerously close to arrogance."
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Trevor Nunn
"You are faced with the choice: either my integrity remains intact and this is the work that ends up on the screen, or I have to leave, and I have to be known to have left."
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Trevor Nunn
"What you're doing is putting into professional play the way that you relate to other people, the way that you analyze and relate to a written text, the way that you would persuade anybody to do anything. It has to do with listening, with humility and a sense of yourself."
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Trevor Nunn
"If you can't fully believe in your ideas, it very quickly communicates to a group of actors who need something to hold onto. They need to believe that whatever criticism, whatever comment is received, is meant."
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Trevor Nunn
"One fine day I discovered that more complex plays really have to be directed."
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Trevor Nunn
"In my early years, my father was away as a soldier in the war. When he came back, work was very difficult to come by. Even though he was a highly skilled man, a maker of furniture, the payment for that work was very poor."
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