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Barry Levinson

"It's those moments, those odd moments that you look for and sometimes by creating this kind of loose atmosphere you find those little moments that somehow mean a lot to an audience when they really register right."

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"It's those moments, those odd moments that you look for and sometimes by creating this kind of loose atmosphere you find those little moments that somehow mean a lot to an audience when they really register right."

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Amber Hurdle

"Dark nights are unpleasant," "Yes, for strangers to travel,""The clouds are heavy.""Yes, a storm is approaching."

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Amber Hurdle

"Wendy's house, unlike many in Cape Breton, had three floors, along with a basement and attic. Aside from Wendy's bedroom, there was a laundry room. The dirty water in the sink would rush from the washer hose, bubbling up, threatening to overflow, but it never did. Next-door was a motel with a neon sign that read in turquoise and pink, "We have the best rates in town!, but the 'E' in 'rates' kept flickering on and off day and night so that every few seconds it would switch to, "We have the best rats in town!"

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Amber Hurdle

"A general flavour of mild decay but nothing local as one may say."

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Amber Hurdle

"The smog curled between the streetlamps and the spokes of the wrought iron framework. It seemed through your body and into your bones."

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Amber Hurdle

"At the same time all the houses round about promptly took part in this silence, and so did the darkness above them, reaching as far as the stars. And the footsteps of invisible passers-by, whose course I had no wish to guess at, the wind that kept on driving against the other side of the street, the gramophone singing behind closed windows in some room - they made themselves heard in this silence, as if they had owned it for ever and ever."

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Amber Hurdle

"The sky was like ebony and the only illumination was the harsh white light of the central streetlamp, which cast shadows so hard it seemed you might cut yourself on them."

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Amber Hurdle

"Mandy loved the smell of a sunny day after a night of rain. The sun hit the orange puddles, the overgrown, soft, green grass on her lawn, and it beamed down through the orange steel mill smog, sending otherworldly, bizarre shadows across the concrete sidewalk."

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Amber Hurdle

"Sad hotels existed everywhere, to be sure, but the Dolphin was in a class of its own. The Dolphin Hotel was conceptually sorry. The Dolphin Hotel was tragic."

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Amber Hurdle

"A few fires flickered, plumes of dark smoke marring the ruby sky."

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Amber Hurdle

"It was a small room with dim light coming in the window, reminiscent of old Polish films."

Explore more quotes by Barry Levinson

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Barry Levinson
"A lot of time mistakes are very interesting - you look for the behaviour that's not the one you expect."
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Barry Levinson
"Apparently nobody really read it, it was a cheap movie, it fit their schedule in terms of things so fine, let the guy make that high school comedy. I used to work with Mel Brooks so they figured oh it's going to be one of those really silly movies and that's how it got made."
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Barry Levinson
"I worked at a local television station and I got a chance to direct and do all those things - worked kiddie shows, Ranger House show with the hand puppets and things like that."
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Barry Levinson
"The interesting thing about movies, it's not always - y'know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable."
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Barry Levinson
"It's finding those nonsensical pieces of conversation that we all do all the time. We do all the time. When we're talking on the telephone, there are arguments with people who agree when they both think that they disagree."
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Barry Levinson
"First of all, just to get Diner made would have been an achievement in that I got a chance to direct."
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Barry Levinson
"I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety."
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Barry Levinson
"When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came."
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Barry Levinson
"Well it was sent to me, well because almost everything that is written in Baltimore is sent to me. And David Simon, who was a writer for the Baltimore Sun, spent one year following the homicide squad in Baltimore and he chronicled that period of time."
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Barry Levinson
"All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that's what ultimately works the best for me."
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