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Philip Levine

"I'm seventy-one now, so it's hard to imagine a dramatic change."

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"I'm seventy-one now, so it's hard to imagine a dramatic change."

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Brennan Manning

"It is so hard to leave-until you leave. And then it is the easiest goddamned thing in the world."

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Brennan Manning

"Clever nations are the ones who keep changing their governments! Because power must change hands otherwise it will get spoiled and rot!"

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Brennan Manning

"But in the meantime I became accustomed to the writing life and it would be hard to change now - partly because of the salary cut if I went to my other love, teaching; and partly because I still have stories to tell, even though it isn't all that fun doing the work anymore."

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Brennan Manning

"America was never designed to be fixed forever, but was meant to be fluid and evolving."

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Brennan Manning

"We fear change because it insists we discard long held structures that no longer function suitably."

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Brennan Manning

"What you're supposed to do when you don't like a thing is change it. If you can't change it, change the way you think about it. Don't complain."

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Brennan Manning

"It is a great danger for everyone when what is shocking changes."

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Brennan Manning

"If you don't like how things are, change it! You're not a tree."

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Brennan Manning

"When things break, it's not the actual breaking that prevents them from getting back together again. It's because a little piece gets lost - the two remaining ends couldn't fit together even if they wanted to. The whole shape has changed."

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Brennan Manning

"When our environment changes we change, and this combination of transformative deeds create a synergistic effect. Seemingly, insignificant and imperceptible quantitative changes can eventfully lead to fundamental qualitative changes in the way a group of people function as a society."

Explore more quotes by Philip Levine

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Philip Levine
"If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem."
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Philip Levine
"My sense of a poem - my notion of how you revise - is: you get yourself into a state where what you are intensely conscious of is not why you wrote it or how you wrote it, but what you wrote."
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Philip Levine
"I'm saying look, here they come, pay attention. Let your eyes transform what appears ordinary, commonplace, into what it is, a moment in time, an observed fragment of eternity."
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Philip Levine
"My temperament is not geared to that of a novelist."
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Philip Levine
"I was very lucky to have a mother who encouraged me to become a poet."
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Philip Levine
"My father died when I was five, but I grew up in a strong family."
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Philip Levine
"But most commonly, it's one poem that I work on with a lot of intensity."
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Philip Levine
"There'll always be working people in my poems because I grew up with them, and I am a poet of memory."
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Philip Levine
"My mother carried on and supported us; her ambition had been to write poetry and songs."
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Philip Levine
"Meet some people who care about poetry the way you do. You'll have that readership. Keep going until you know you're doing work that's worthy. And then see what happens. That's my advice."
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