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"I did tests on small stones before collecting and committing myself to the larger ones."
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"Should it matter what genre it is if the book is good?"
"It's sarcasm, Josh.'Sarcasm?'It's from the Greek, sarkasmos. To bite the lips. It means that you aren't really saying what you mean, but people will get your point. I invented it, Bartholomew named it.'Well, if the village idiot named it, I'm sure it's a good thing.'There you go, you got it.'Got what?'Sarcasm.'No, I meant it.'Sure you did.'Is that sarcasm?'Irony, I think.'What's the difference?'I haven't the slightest idea.'So you're being ironic now, right?'No, I really don't know.'Maybe you should ask the idiot.'Now you've got it.'What?'Sarcasm."
"Is art really the priesthood that demands the pure in heart who belong to it wholly?"
"Guided only by their feeling for symmetry, simplicity, and generality, and an indefinable sense of the fitness of things, creative mathematicians now, as in the past, are inspired by the art of mathematics rather than by any prospect of ultimate usefulness."
"She was a poetry book with the wrong dust jacket, shelved in the Reference section."
"It's not easy to define poetry."
Explore more quotes by Andy Goldsworthy
"I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames."
"As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone."
"A snowball is simple, direct and familiar to most of us. I use this simplicity as a container for feelings and ideas that function on many levels."
"Occasionally I have come across a last patch of snow on top of a mountain in late May or June. There's something very powerful about finding snow in summer."
"I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work."
"Abandoning the project was incredibly stressful after having gone through the process of building the room, installing the kiln, collecting the stones, sitting with the kiln day and night as it came to temperature, experiencing the failures."
"I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another."
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