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Len Wein was an American cartoonist born on June 12, 1939. He is best known for co-creating iconic comic book characters such as Wolverine and Swamp Thing. Wein's work in the comic book industry has had a lasting impact, influencing generations of readers and creators. He received several awards for his contributions to comics and is remembered as a significant figure in the world of graphic storytelling.
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"I would like immortality."

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"I'm a neurotic New York Jew by birth. Creating characters is second nature to me."

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"A true friend is someone who is there for you when he'd rather be anywhere else."

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"I try not to violate what came before me and to leave lots of wiggle room for those who will follow."

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"I became an art major, took every art class my school had to offer. In college, I majored in Advertising Art and Design."

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"I've had editors over the years who couldn't find a clue if it was stapled to their butt."

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"The bottom line always remains the same: What is the basic humanity of the character? How do I make them resonate with the reader?"

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"I've never sat down and thought about the difference between plot and theme. To me, that's never been important."

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"I think there's something inherently dishonest in trying to go back and mess with the past."

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"Art is always in the eyes of the beholder. Only posterity has the right to point out our mistakes."

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"I was a very sickly kid. While I was in the hospital at age 7, my Dad brought me a stack of comic books to keep me occupied. I was hooked."

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"What makes a story is how well it manages to connect with the reader, the visceral effect it has."

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"I try to find what makes even the worst, most despicable character sympathetic at his or her core."

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"I hate the crazy, neurotic characters beyond a certain point."

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"It's all about who's where on the food chain. When I'm the story editor, I expect my writers to follow my vision. When I'm working for another editor, I'm obliged to follow their vision."

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"Sometimes you're not even sure which of your stories were failures. There are things I've written that I thought were complete catastrophes when I finished with them that have gone on to generate some of my most positive feedback."

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"You can read a dozen different textbooks or how-to manuals that will tell you the basic rules of what makes a story - a beginning, a middle, and an end."

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"Were there stories I wrote along the way that were terrible clinkers? God, yes. But they were all a product of their time, and I did the best I could."

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"The most unrealistic thing I've ever read in comics is when some group of characters calls themselves the Brotherhood of Evil or the Masters of Evil. I don't believe any character believes their goals to be truly evil."

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"There is an ancient legend which warns that, should we ever learn our true origin, our universe will instantly be destroyed."

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"A writer writes. Period. No matter if someone is buying your work or not."

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"If a story isn't working, I'm simply unable to finish it. That's what usually tells me something is wrong."

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"In these litigious times, if you're a beginner, it's becoming harder and harder to get your work to the people who might actually be able to hire you."

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"Unfortunately, there are writers whose only concern is how good they could make themselves look on a title."

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"People who were more concerned with themselves and looking good to their readers then they were with the characters sacrificed a series for the sake of a story."

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"In general, shorter is better. If you can encapsulate your idea into a single captivating sentence, you're halfway home."

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"I've always thought of myself as an organic writer, rather than a cerebral one. I feel my way along as I go, hoping I'll get to the place I intend to reach."

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"I had never really thought of myself as a writer; any writing I had done was just to give myself something to draw."

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"I always wanted to fire rays out of my fingertips."

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"When I got my first glimpse of Hugh Jackman as Wolverine, my breath caught. In that single instant, he was Wolverine."

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"When I'm my own editor, there's very little difference between the first draft and the final. I write what feels right to begin with. I rarely make any major changes."

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"When someone writes to tell me something I've written made them laugh or cry, I've done my job and done it well. The rest is all semantics."

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"I realized the only thing I owed my audience was my own judgment and my own best effort."

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