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Leo Kottke

"The principle element in a performance is risk, and if you're losing interest then by scaring yourself to death the audience will feel it and boy it'll wake them up."

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"The principle element in a performance is risk, and if you're losing interest then by scaring yourself to death the audience will feel it and boy it'll wake them up."

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Amber Hurdle

"Death is the wish of some, the relief of many, and the end of all."

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Amber Hurdle

"As a well spent day brings happy sleep, so life well used brings happy death."

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Amber Hurdle

"We cannot conceive death as anything else than the afterlife because we cannot comprehend death unless we live."

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Amber Hurdle

"The stroke of death is as a lover's pinch, which hurts and is desired."

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Amber Hurdle

"Take the dead from the dead, the old proverb said; only a corpse may speak true prophecy."

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Amber Hurdle

"Death has a life which kills everybody's life."

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Amber Hurdle

"Do any men grow up or do they only come of age?"

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Amber Hurdle

"Death is a fearful thing."

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Amber Hurdle

"Cowards die many times before their deaths; the valiant never taste of death but once."

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Amber Hurdle

"Gracious dying is a huge, macabre and expensive joke on the American public."

Explore more quotes by Leo Kottke

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Leo Kottke
"It is not a mystical thing, however, it is obvious and practical and I think that what the performer does is to try to get to that point with every choice you make from the phrasing in a tune to the choice of tunes."
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Leo Kottke
"That was when I found out that you could talk to them and it was a whole other way to blow your stack, and it's so much fun to perform that you want to do it again and the more you get out of it the better."
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Leo Kottke
"When the audience is awful you can still have a great night and people will walk out thinking they had a great time even though there was loads of loudmouths and the sound was terrible."
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Leo Kottke
"I think if you are writing an instrumental you are dealing with more of an aesthetic in a sense but a lyric is more of a putting yourself on the line and a much more expensive exercise."
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Leo Kottke
"We spent a lot of time on that record with the sound and recorded it on the Paramount sound stage which is this huge room where the sound is reflected but the reflection is so late and comes from so far away that it doesn't blur the music but gives you a room nonetheless."
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Leo Kottke
"I don't spend a lot of time thinking of what they'll do musically, I try to imagine being locked into a windowless room with this person for twelve hours at a time. If you can look at that and think it might be fun then maybe you've got the right musician."
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Leo Kottke
"I would say that if you don't feel like talking to the crowd something is wrong and if you force yourself to talk to them things will happen and to that extent things aren't choreographed."
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Leo Kottke
"I do have a library of events I can talk about and I always expect to find a different point of view on it so even if I talk about the same event in the same town it's fresh."
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Leo Kottke
"We had a day off here yesterday and I just sat in my room and played."
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Leo Kottke
"I think that open tunings are a trap really because it's really hard not to sound like an open tuning when your using one and that gets old as well as what you learn in one open tuning is going to stay there."
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