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Leo Kottke

"The principle element in a performance is risk, and if you're losing interest then by scaring yourself to death the audience will feel it and boy it'll wake them up."

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"The principle element in a performance is risk, and if you're losing interest then by scaring yourself to death the audience will feel it and boy it'll wake them up."

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Amber Hurdle

"Merciful death. How you love your precious guilt."

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Amber Hurdle

"Regard your soldiers as your children, and they will follow you into the deepest valleys; look on them as your own beloved sons, and they will stand by you even unto death."

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Amber Hurdle

"I were better to be eaten to death with a rust than to be scoured to nothing with perpetual motion."

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Amber Hurdle

"To be idle is a short road to death and to be diligent is a way of life; foolish people are idle, wise people are diligent."

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Amber Hurdle

"Death has a life which kills everybody's life."

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Amber Hurdle

"There is no cure for birth and death save to enjoy the interval."

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Amber Hurdle

"If we really believe what we say we believe- if we really think that home is elsewhere and that this life is a "wandering to find home", why should we not look forward to the arrival. There are, aren't there, only three things we can do about death: to desire it, to fear it, or to ignore it. The third alternative, which is the one the modern world calls "healthy" is surely the most uneasy and precarious of all."

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Amber Hurdle

"Right, well, he'd been sick for a while and his nurse said to him, 'You seem to be feeling better this morning,' and Isben looked at her and said, 'On the contrary,' and then he died."

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Amber Hurdle

"Death is with you all the time; you get deeper in it as you move towards it, but it's not unfamiliar to you. It's always been there, so what becomes unfamiliar to you when you pass away from the moment is really life."

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Amber Hurdle

"The stroke of death is as a lover's pinch, which hurts and is desired."

Explore more quotes by Leo Kottke

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Leo Kottke
"There are nights when you can feel stale because you've fallen into a pattern by touring too much, but it's easy to get out of it by deliberately getting in trouble and playing yourself into a corner to then see if you can get out of it."
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Leo Kottke
"I was required by Capital to release one every six months and the fastest I could do with all my touring was every nine months, and it would spook me every time because I never had what I needed and I really didn't want to do covers."
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Leo Kottke
"It is not a mystical thing, however, it is obvious and practical and I think that what the performer does is to try to get to that point with every choice you make from the phrasing in a tune to the choice of tunes."
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Leo Kottke
"The principle element in a performance is risk, and if you're losing interest then by scaring yourself to death the audience will feel it and boy it'll wake them up."
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Leo Kottke
"It's true that the more you put in the more you get out and that has to be there I think, If you aren't really hooked on your instrument this job would be a hell on earth but if you are, it's the best."
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Leo Kottke
"It was almost two years after I left Capital that I put out the first one on Chrysalis and that was really instructive because it was no better in particular than any other record I'd done."
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Leo Kottke
"You can't really tell what the audience wants but you can tell what will keep everybodies attention in the same place."
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Leo Kottke
"That was when I found out that you could talk to them and it was a whole other way to blow your stack, and it's so much fun to perform that you want to do it again and the more you get out of it the better."
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Leo Kottke
"The bulk of my set is instrumental and you have to give yourself and the audience some relief because a performance is not about great guitar playing it's really about entertainment."
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Leo Kottke
"I will literally open my mouth not knowing what is coming out."
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