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"What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure."
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"How we choose to perceive affects how we partake of reality, narrowly or completely."

"We often focus on what is wrong and complain that nothing is beautiful."

"The mind can fool the heart, as the heart can fool the mind."

"The feeling that the world is full of people who think different is synonymous with wrong."

"People see what they expect to see."

"The devil was always in the detail. And here the detail was certainly devilish."

"He who imagines he can do without the world deceives himself much, but he who fancies the world cannot do without him is still more mistaken."

"I saw the world in black and white instead of the vibrant colours and shades I knew existed."

"Life is an illusion which wisely prevents you from seeing yourself fully."

"When I deeply look at a pious, I see no affection but fear; and when I look at an atheist, I see no fear but conceit!"
Explore more quotes by Satyajit Ray


"The only solutions that are ever worth anything are the solutions that people find themselves."


"I wouldn't mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they're not on a fixed salary."


"It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn't want to do the same kind of film again, so I made a musical."


"My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful."


"I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation."


"When I write an original story I write about people I know first-hand and situations I'm familiar with. I don't write stories about the nineteenth century."


"I think they quite like me when I work because I'm one of the safer directors to back, because even if my films don't bring their costs in back home, once they're shown outside of India they manage to cover the costs."
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