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"There's no way to know what makes one thing happen and not another. What leads to what. What destroys what. What causes what to flourish or die or take another course."
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"The worst happens when you least expect it."

"In all seriousness, Archer claims that if you, as a living, alive person, hear the song "You're the One That I Want" from the musical Grease three times in a single day - seemingly by accident, whether in an elevator, on a radio, a telephone hold button, or whatever - it indicates that you'll surely die before sunset."

"Dolorita Hunsickle says that the chipmunks tell your fortune if you catch them but I never did. She says a chipmunk told her she would grow up to be a famous ballerina and that she would die of consumption unloved in a boardinghouse in Prague."

"We cannot prepare our fate, but we can stir it up."

"For he will doAs he do doAnd there's no doing anything about it!"

"Niall: We're tossed by the winds of fate. Once we end where they blow us, we make of ourselves that we will."
Explore more quotes by Cheryl Strayed

"It was only when I rounded a bend and glimpsed the white peaks ahead that I doubled my abilities, only when I thought how far i had yet to go that i lost faith that I would get there."

"There was the woman I was before my mom died and the one I was now, my old life sitting on the surface of me like a bruise."

"My mother's death put me in touch with my most savage self. As I've grown up and come to terms with her death and accepted it, the pieces of her that I keep don't exist materially."

"It had been so silent in the wake of that commotion, a kind of potent silence that seemed to contain everything. The songs of the birds and the creak of the trees. The dying snow and the unseen gurgling water. The glimmering sun. The certain sky. The gun that didn't have a bullet in its chamber. And the mother. Always the mother. The one who would never come to me."

"I suggest you forget about forgiveness for now and strive for acceptance instead. Accept that the man you love was unfaithful to you. Accept that the woman you once held in regard treated you with disrespect. Accept that their actions hurt you deeply. Accept that this experience taught you something you didn't want to know. Accept that sorrow and strife are a part of even a joyful life. Accept that it's going to take a long time for you to get that monster out of your chest. Accept that someday what pains you now will surely pain you less."

"You go on by doing the best you can. You go on by being generous. You go on by being true. You go on by offering comfort to others who can't go on. You go on by allowing the unbearable days to pass and allowing the pleasure in other days. You go on by finding a channel for your love and another for your rage."

"I can't say when you'll get love or how you'll find it or even promise you that you will. I can only say you are worthy of it and that it's never too much to ask for it and that it's not crazy to fear you'll never have it again, even though your fears are probably wrong. Love is our essential nutrient. Without it, life has little meaning. It's the best thing we have to give and the most valuable thing we receive. It's worthy of all the hullabaloo."

"It isn't enough to have had an interesting or hilarious or tragic life. Art isn't anecdote. It's the consciousness we bring to bear on our lives. For what happened in the story to transcend the limits of the personal, it must be driven by the engine of what the story means."

"It's hard to go. It's scary and lonely and half the time you'll be wondering why the hell you're in Cincinnati or Austin or North Dakota or Mongolia or wherever your melodious little finger-plucking heinie takes you. There will be boondoggles and discombobulated days, freaked-out nights and metaphorical flat tires.But it will be soul-smashingly beautiful. It will open up your life."

"The most fascinating thing to me about your letter is that buried beneath all the anxiety and sorrow and fear and self-loathing, there's arrogance at its core. It presumes you should be successful at twenty-six, when really it takes most writers much longer to get there."
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