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"I've played with all of the heavyweights in the modern jazz, progressive jazz movement. I've been fortunate enough to play with them, a who's who. All of those guys, I've been fortunate enough to have performed with."
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"Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation."

"My roots and Victor's are jazz, basically, but these two young fellows that we have with us come out of rock bands. And they're tremendously exciting players."
Jazz,

"I stayed with them for about a year up there and, at night, worked over in Long Island at a club called The High Hat Club which was like a pseudo jazz / blues place."

"Well I went to New Orleans to cover the jazz festival for Trio, it's this new arts channel, it's really great."
Jazz,
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"There have been many great musicians that, Clifford Brown is one great example, I mean he died very early, 25."


"It's all about creation and surprise. It just needs to be appreciated and watered like flowers. You have to water flowers. These peaks will come again."


"What I can say is that for may years jazz musicians had to go to Europe, for instance, to be respected and to be sort of treated not in a discriminatory way. I don't think there is anything controversial about me saying that. This is just a fact."


"I miss playing with Miles. I did play with him a little while before he left the planet, but even at that time I longed to maybe do some things together."


"I feel that L.A. has not always been my strongest base for support. That can be for various reasons."


"I guess fortunate that I'm still around and I emphasize I guess because you never can tell what musicians would be playing had they been around as long as I have."


"I think we are in the midst of this period where we are committing this suicide on the planet and everybody is just using up all of our natural resources like a bunch of insane people. That's what I worry about more than I worry about jazz."


"What I am more concerned about is whether our whole civilization will be around in the next 25 years."


"I enjoy playing clubs. I still enjoy the closeness of the nightclub venue. However, after a certain period of time and after playing around some of the clubs in New YorkI felt that jazz should be presented in a more prestigious atmosphere."


"I am a person who thinks about the music first in trying to achieve something musically valid."
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