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Madeleine Stowe

"Saving Milly was a break from this effort because I felt that it was time to be part of something that could shed light on a disease everyone feels they know, when most know so little."

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"Saving Milly was a break from this effort because I felt that it was time to be part of something that could shed light on a disease everyone feels they know, when most know so little."

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Amber Hurdle

"Do not waste your time on Social Questions. What is the matter with the poor is Poverty; what is the matter with the rich is Uselessness."

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Amber Hurdle

"Time is standing still. We are measuring ourselves by how far we are going."

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Amber Hurdle

"Forever, time is standing still. We are flying away with the wings of desire we call life."

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Amber Hurdle

"Life is defined by time and seasons."

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Amber Hurdle

"If you want to know the value of a minute ask the person who came to the train station or airport a minute late."

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Amber Hurdle

"Past, I am letting you go. Future, I will see you tomorrow. Present, I love you, live in you, celebrate you, and will never let you go."

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Amber Hurdle

"The time at our disposal each day is elastic; the passions we feel dilate it, those that inspire us shrink it, and habit fills it."

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Amber Hurdle

"A realization that even if you had discovered the future, it really didn't change how you lived in the present. They were truth, but they weren't all the truth."

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Amber Hurdle

"You can never live in the past. You always live in the tiny gap between the present and the future."

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Amber Hurdle

"Don't equate effective living to being busy."

Explore more quotes by Madeleine Stowe

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Madeleine Stowe
"The scene was attempted a second time, up on top of the fort, and cameras didn't even roll. Michael, though he wasn't admitting it, wasn't sure how to shoot the scene."
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Madeleine Stowe
"I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I was fully ready to support it, that Michael's work was wonderful and I imagined that Daniel would feel the same. He listened quietly and read between the lines."
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Madeleine Stowe
"I remember nearly having a fit of the giggles during the reading because dear Daniel was SO respectful and serious and I was finding the whole situation funny because I was speaking to his profile."
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Madeleine Stowe
"He also didn't like a lock of my hair and said that he couldn't get into the moment without the hair being just right. I quietly knew that he was anxious and that the hairdo wasn't the real issue. But we all let it go and came back to the scene sometime later."
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Madeleine Stowe
"As we were leaving the Huron camp, it was awkward filming. I think that the Huron watching us was there to create tension - maybe we wouldn't get out. Nothing complicated."
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Madeleine Stowe
"Working on the accent helped, enormously. I will tell you that when I brought Michael a correct "British" accent, one that my dialect coach was happy with, he hated it."
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Madeleine Stowe
"Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively."
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Madeleine Stowe
"Michael is a funny character, for whom I have a great deal of affection. He sat across his desk and seemed to be a bit of a blunt fellow. We began talking about the characters and he opened up about his vision."
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Madeleine Stowe
"The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced to me, and I knew right away that, in spite of what others were saying, it was dead wrong."
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Madeleine Stowe
"My driver Kellie Frost and I would race these fellows home and they were always faster on the highway. We did the same with Daniel and his driver, and thus began a long series of jokes and competitions to alleviate the impossible hours and tensions this film provoked."
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