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"Nature's silence is its one remark, and every flake of world is a chip off that old mute and immutable block."
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"The addition of certain chemicals to the atmosphere will destroy wavelengths of light and it may only be a matter of time before one of these wavelengths of light that is critical for human survival is eliminated. This is called: The Extinction Wavelength."

"We are such small, stupid things. For most of my life I thought of nature as the stupid thing: Blind, animal, destructive. We, the humans, were clean and smart and in control: we had wrestled the rest of the world into submission, battered it down, pinned it to a glass slide and the pages of The Bool of Shhh."

"By eating meat we share the responsibility of climate change, the destruction of our forests, and the poisoning of our air and water. The simple act of becoming a vegetarian will make a difference in the health of our planet."

"Whenever they are given the choice, some people choose a bath over a shower; they, too, would like to do their bit to waste water."

"The straw-coated floor crunched beneath her boots, a cool breeze sweeping in from where the roof had been ripped half off thanks to Sorrel's bull. To keep the wyverns from feeling less caged-and so Abraxos could watch the stars, as he liked to do."

"In a natural environment, nature controls the breeding cycles. In the man-made environment, abnormal environmental conditions control the unnatural breeding cycles."

"It's not as though we can keep burning coal in our power plants. Coal is a finite resource, too. We must find alternatives, and it's a better idea to find alternatives sooner then wait until we run out of coal, and in the meantime, put God knows how many trillions of tons of CO2 that used to be buried underground into the atmosphere."

"Tree planting is always a utopian enterprise, it seems to me, a wager on a future the planter doesn't necessarily expect to witness."

"We need to consciously remember that we have an unprecedented responsibility to protect the planet, because without it we have nowhere else to live."

"The most exemplary nature is that of the topsoil. It is very Christ-like in its passivity and beneficence, and in the penetrating energy that issues out of its peaceableness. It increases by experience, by the passage of seasons over it, growth rising out of it and returning to it, not by ambition or aggressiveness. It is enriched by all things that die and enter into it. It keeps the past, not as history or as memory, but as richness, new possibility. Its fertility is always building up out of death into promise. Death is the bridge or the tunnel by which its past enters its future."
Explore more quotes by Annie Dillard


"There are 1,198,500,000 people alive now in China. To get a feel for what that means, simply take yourself - in all your singularity, importance, complexity, and love - and multiply by 1,198,500,000. See? Nothing to it."


"The mountains are great stone bells; they clang together like nuns. Who shushed the stars? There are a thousand million galaxies easily seen in the Palomar reflector; collisions between and among them do, of course, occur. But these collisions are very long and silent slides. Billions of stars sift amont each other untouched, too distant even to be moved, heedless as always, hushed. The sea pronounces something, over and over, in a hoarse whisper; I cannot quite make it out. But God knows I have tried."


"I am a sacrifice bound with cords to the horns of the world's rock altar, waiting for worms. I take a deep breath, I open my eyes. Looking, I see there are worms in the horns of the altar like live maggots in amber, there are shells of worms in the rock and moths flapping at my eyes. A wind from no place rises. A sense of the real exults me; the cords loosen: I walk on my way."


"You can live as a particle crashing about and colliding in a welter of materials with god, or you can live as a particle crashing about and colliding in a welter of materials without god. But you cannot live outside the welter of colliding materials."


"For writing a first draft requires from the writer a peculiar internal state which ordinary life does not induce. ... how to set yourself spinning?"


"So it is that a writer writes many books. In each book, he intended several urgent and vivid points, many of which he sacrificed as the book's form hardened."


"A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life-the nation, the city, the neighborhood, the house where the family lives-as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them. I breathed the air of history all unaware, and walked oblivious through its littered layers."


"On plenty of days the writer can write three or four pages, and on plenty of other days he concludes he must throw them away."


"The answer must be, I think, that the beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there."
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