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"A couple of flop plays, a death in the family, and it could all collapse."
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"I leaned against the desk, ran my hand over my father's paperwork, and picked up a pen. Turning around, I shoved it into my father's hand. 'What's this?' he asked, raising a brow. 'You'll need it to sign my death certificate, ' I said, pain vibrating my veins against my muscles and bones. 'Are we done now? (Eric)"

"It is difficult to accept death in this society because it is unfamiliar. In spite of the fact that it happens all the time, we never see it."
Explore more quotes by Patrick Marber

"When you're in your early 20s your love life seems to explode every 20 minutes or so. By the time you've reached your thirties, it is every five or ten years."

"I'm a Golden Globe nominee, yes. It's very nice. It's a very nice thing, but I kind of think of all the awards I wasn't ever nominated for, for years and things."

"It doesn't really feel like it's got anything to do with me. I mean, I know I wrote it, and all that and invented the characters and made it up, but it's Mike's film, so doing the press and stuff, it feels a little bit inauthentic. I was just one component of it."

"I like them all - I don't always approve. I see myself as a sort of benevolent uncle to these characters, and I can see why they do what they do; sometimes they make some mistakes, but at heart I think they're decent."

"The trite answer is that everything is true but none of it happened. It is emotionally true, but the events, the plotting, the narrative, isn't true of my life, though I've experienced most of the emotions experienced by the characters in the play."

"I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally."

"I hoped the dramatic power of the play would rest on that tension between elegant structure - the underlying plan is that you see the first and last meeting of every couple in the play - and inelegant emotion."

"Always when I directed the play, I was always trying to cast people not who were necessarily like the characters, but people who I felt had the essential component that the character had, some kind of soul for it."
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