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"He was obsessed with obituaries. She'd never read them before, he couldn't believe it, to him it was like someone who'd never read the funnies...Michael always wanted to know what they died of - accidental gunshot wounds, overdose, cancer. 'Was it suicide?' That's what he really wanted to know."
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"We were promised sufferings. They were part of the program. We were even told, 'Blessed are they that mourn,' and I accept it. I've got nothing that I hadn't bargained for. Of course it is different when the thing happens to oneself, not to others, and in reality, not imagination."
"I knew then why I had to suffer. The older we get, the more reasons God gives us to seek His comfort. In the end, He sends us just enough pain and suffering so that we will want to leave. If everything were perfect, we would never choose to go. He wants us to seek an end to our suffering because He wants us to want to come Home."
"Tragedy descends, and in the carnage our enraged cynicism screams 'If there was a God, He would not have allowed this!' And somehow we've conveniently forgotten that once upon a time He allowed us to tell Him to go away, and once upon that time we allowed ourselves to take Him up on that offer."
"He panted over me, winded by his own absurd lecture. The stench of his alcoholic breath stung my nose. Again I didn't answer. I hoped he'd tire out and end his speech and hobble back to the living room without touching me. Such hopes were unlikely, as was the case this time. "Answer me, you good-for-nuthin' wench! The pain bit instantly as his hand connected with my cheek. I shook my head in answer to his crazy questions, feeling a rise of warm tears."
"Waiting Hurts. Forgetting Hurts. But not knowing which decision to take is the worst of suffering."
"There is much pain that is quite noiseless; and vibrations that make human agonies are often a mere whisper in the roar of hurrying existence. There are glances of hatred that stab and raise no cry of murder; robberies that leave man or woman forever beggared of peace and joy, yet kept secret by the sufferer-committed to no sound except that of low moans in the night, seen in no writing except that made on the face by the slow months of suppressed anguish and early morning tears. Many an inherited sorrow that has marred a life has been breathed into no human ear."
"Discharge [disposal of karma] is in nature's hands. That's why there is restlessness. That is why these are the pains of dependency [association]. There are such times man has to face that it becomes difficult for him to pass even one hour."
Explore more quotes by Janet Fitch
"My heart felt like a balloon that was filling too full, and I panicked. I might get the bends, the way scuba divers did when they surfaced too fast."
"The expression in her eyes was bitter as nightshade. 'You ask me about regret? Let me tell you a few things about regret, my darling. There is no end to it. You cannot find the beginning of the chain that brought us from there to here. Should you regret the whole chain, and the air between, or each link separately, as if you could uncouple them? Do you regret the beginning which ended so badly, or just the ending itself? I've given more thought to this question than you can begin to imagine."
"She had forgotten about this, the narcotic of the crowd. This is why you came to hear music. To stop being yourself, to let that thing that you supposedly were go, and just be part of a mob, synchronized by the heavy beat, mesmerized by a singer with big smeary red lips, her spooky chant."
"For what is writing besides capturing thoughts that belong to all of us, so that we can recognize ourselves, undestand ourselves, and perhaps, each other. Every thoughtful book about love makes us better lovers, I think. It opens the gates of perception."
"I always read poetry before I write, to sensitize me to the rhythms and music of language."
"The cake had a trick candle that wouldn't go out, so I didn't get my wish. Which was just that it would always be like this, that my life could be a party just for me."
"Who am I? I am who I say I am and tomorrow someone else entirely. You are too nostalgic, you want memory to secure you, console you. The past is a bore. What matters is only oneself and what one creates from what one has learned. Imagination uses what it needs and discards the rest - where you want to erect a museum. Don't hoard the past, Astrid. Don't cherish anything. Burn it. The artist is the phoenix who burns to emerge."
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