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"Only in your imagination can you revise."
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"Reality is not enough for us, that's why we have invented art to create different realities!"

"Definitions are vital starting points for the imagination. What we cannot imagine cannot come into being. A good definition marks our starting point and lets us know where we want to end up. As we move toward our desired destination we chart the journey, creating a map. We need a map to guide us on our journey to love--starting with the place where we know what we mean when we speak of love."

"The degree in which a poet's imagination dominates reality is, in the end, the exact measure of his importance and dignity."

"Memories, imagination, old sentiments, and associations are more readily reached through the sense of smell than through any other channel."

"What if dragons breathed bubbles and purred when they cuddled and giggled at chivalrous knights for their troubles?What if dragons felt soft, having scales made of cloth,and they moved rather slow like a brown-throated sloth?What if dragons were shyand did easily crywhen confronted by characters callous and sly?What if dragons did goodbut were misunderstoodso men mercilessly slew the beasts right where they stood?What if dragons aren't missedbecause there is no listof extinct types of quarry that now don't exist?"

"Can you not see, that fairy tales in their essence are quite solid and straightforward; but that this everlasting fiction about modern life is in its nature essentially incredible? Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is-what will a healthy man do with a fantastic world? The problem of the modern novel is-what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos."

"Censorship is never over for those who have experienced it. It is a brand on the imagination that affects the individual who has suffered it, forever."

"Never tell to much. The monster is always scarier when it is still under the child's bed."

"How easy it is to invent a humanity, for anyone at all."

"The words we construct, the poems we write and the songs we sing, become the love story of a stranger we have never seen."
Explore more quotes by Fay Wray

"For the purposes of the play, it was perfect to be able to use that and the stresses and strains that there were. At the end of the play, the mother realizes the terrible things she had done."

"That was' one time when my technique absolutely deserted me, I must admit. There was a wax face that he had created himself to cover his own ugliness. I was in his clutches and I had to hit him in the face."

"I don't know why Sinclair Lewis fell in love with me. He didn't get even the slightest response from me. But his letters were lovely. And the poems he wrote me were lovely. I used some of them in my book."

"The producers who wanted me to do it liked me and trusted me, and more than one scene was only one take, because I'd plan ahead what I thought would be appropriate for that scene-so one take was enough."

"Lillian Gish thought that there should be a cabinet position for the arts and I think she was right. I think she was right."

"He was just trying to tease me - I knew that later - but he said he'd have to leave because it wasn't fair to have anyone in the room who was going to make fun of what he had to say. He had a good sense of humor, really."

"Well, the Empire State was about 40' high in the studio. King Kong was a little model about 2' high, and the scenery that he worked in was in proportion to his size."

"Actually, the camera was never overhead at any time. It was always a side view of me. Subsequently, after the picture was released, I saw some scenes from above and my clothes being pulled-and I think that was added later."

"So I was asked to do horror film after horror film, a series of about five, after that, and some of those were a little too gruesome. I wasn't too comfortable all the time in those. I didn't really care for them."
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