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"So it comes to this: I would have lost her either way. If Cole hadn't reinfected her, I would have lost her in the hospital bed. And now Cole's wolf tozin pumps through her veins, and I lose her to the woods, like I lose everything I love.So here is me, and I am a boy watched--by her parents' suspicious eyes, since they cannot prove that I kidnapped Grace but believe nonetheless--and I am a boy watchful--because Tom Culpeper's bitterness is growing palpable in this tiny town and I will NOT bury Grace's body--and I am a boy waiting--for the heat and the fruitfulness of summer, waiting to see who will walk out of those woods for me. Waiting for my lovely summer girl."
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"I was so naive I didn't even know about agents. I telephoned the William Morris agency and asked to speak to Mr. Morris. I expected Bill Morris to be waiting for my call."

"I've heard every pie joke in the book. I'm still waiting for an original one."

"Making a movie is a long, dull process. There's a lot of waiting around."

"The way I see it, I can either cross the street, or I can keep waiting for another few years of green lights to go by."

"No, when I worked as an accountant I was falling asleep waiting for 5 o'clock."

"You usually have to wait for that which is worth waiting for."

"And perhaps there is none, no morrow anymore, for one who has waited so long for it in vain. And perhaps he has come to that stage of his instant when to live is to wander the last of the living in the depths of an instant without bounds, where the light never changes and the wrecks all look alike. Bluer scarcely than white of egg the eyes stare into the space before them, namely the fullness of the great deep and unchanging calm. But at long intervals they close, with the gentle suddenness of flesh that tightens, often without anger, and closes on itself."
Explore more quotes by Maggie Stiefvater

"As the hours crept by, the afternoon sunlight bleached all the books on the shelves to pale, gilded versions of themselves and warmed the paper and ink inside the covers so that the smell of unread words hung in the air."

"It's rude to stare, but the great thing about staring at a sedated person is that they don't know you're doing it."

"He'd only been gone two seconds, but the room got brighter when they were together, as if they were two elements that became brilliant in proximity. At Sam's clumsy efforts to carry the vacuum, Grace smiled a new smile that I thought only he ever got, and he shot her a withering look full of the sort of subtext you could only get from a lot of conversations whispered after dark.It made me think of Isabel, back at her house. We didn't have what Sam and Grace had. We weren't even close to having it. I didn't think what we had could get to this, even if you gave it a thousand years."

"Gansey always thought that, after dark, it felt like anything could happen. At night, Henrietta felt like magic, and at night, magic felt like it might be a terrible thing."

"Memories are like dreams. You remember how you got to the front of the classroom with no clothes on."
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