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Walter Salles

"When I come to London, I always like to see what's playing at the NFT."

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"When I come to London, I always like to see what's playing at the NFT."

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"Film gives us a second chance at a first impression."

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"Looper is another great film."

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"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."

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"This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased."

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"Right after I did 'The Fountain,' I wanted to go make a documentary or something that was less constructed - more natural. I was searching for a project, and sniffing around, 'The Wrestler' fit right in."

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"I did put on weight for the last half of the film, but the Ferris wheel scene was shot with a harness on me so that if I fell I wouldn't fall all the way."

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"When I started in the late 1950s, every film I made - no matter how low the budget - got a theatrical release. Today, less that 20-percent of our films get a theatrical release."

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Donna Grant

"You get to the middle of a take that's going really well and the camera will run out of film. They have to stop you, apologize and then you've got to get things going all over again."

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"I do enjoy film. The more I do it the more I learn."

Explore more quotes by Walter Salles

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Walter Salles
"And my generation in Brazil was influenced by Cinema Novo. So we're echoing what's been done way in the past."
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Walter Salles
"We all knew the book well because it's the cult book in Latin America. For me, this was a sacred territory. I would not have ventured into it by myself."
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Walter Salles
"So when I was very young, I longed for Brazil."
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Walter Salles
"So the search for a father in Central Station is also a search for a country."
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Walter Salles
"The Sundance Institute has been vital to the film communities of Latin America."
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Walter Salles
"The Peruvian faces are completely different from that faces in Argentina and in Brazil."
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Walter Salles
"On the contrary, I'm a strong believer in the necessity of imperfection coming into the film."
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Walter Salles
"My father was a diplomat for part of his life and I jumped from country to country and culture to culture."
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Walter Salles
"It was a complex endeavor so without Robert Redford's constant support we wouldn't have gotten to the end."
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Walter Salles
"The necessity to conceptualise has to come very early on, and defining a vector of development for that film also at the beginning of the process will allow you much more freedom as you go along."
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