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Archie Shepp

"In America, for a brief time, people who followed Coltrane were studied and considered important, but it didn't last long. The result is that the kind of music I played in the '60's is completely dismissed in this country as a wrong turn, a suicidal effort."

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"In America, for a brief time, people who followed Coltrane were studied and considered important, but it didn't last long. The result is that the kind of music I played in the '60's is completely dismissed in this country as a wrong turn, a suicidal effort."

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"I want music, I don't want stupidity, (Hey)... (mey)... I don't give a shit, so far it sounds like stupidity changes tracks and it's on the track and it waits to appear!"

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Archie Shepp
"So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody."
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Archie Shepp
"Yes, the audience is so important to Negro music, especially the element of call and response."
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Archie Shepp
"A whole generation of young whites have involved themselves with traditional Negro music."
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Archie Shepp
"Black music has become a commercial commodity. Live performances are not so accessible as they were previously. It use to be possible to go to the bar on the corner and hear music. It was available for a fifteen cent beer."
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Archie Shepp
"Negro music and culture are intrinsically improvisational, existential. Nothing is sacred. After a decade, a musical idea, no matter how innovative, is threatened."
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Archie Shepp
"I find that here in the States, audiences are generally less knowledgeable, from the cognitive point of view, though they are emotionally more receptive."
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Archie Shepp
"Rap actually took root in the Negro community, and then in the Hispanic community, long before it impacted on the larger American community as a whole."
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Archie Shepp
"Today, music is visual."
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Archie Shepp
"In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous."
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Archie Shepp
"So, I was just a young guy, maybe with an idea, and Cecil Taylor, himself a rebel, would take a chance on a guy like me. It turned out to be a very symbiotic partnership. I learned a lot from him."
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