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Edith Wharton

"The taste of the usual was like cinders in his mouth, and there were moments when he felt as if he were being buried alive under his future."

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"The taste of the usual was like cinders in his mouth, and there were moments when he felt as if he were being buried alive under his future."

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"The most tragic thing about the future is that it may not come into being!"

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"The future came and went in the mildly discouraging way that futures do."

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"Whoever neglects the arts when he is young has lost the past and is dead to the future."

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"In the future, torture will once again become the recreational sport of the rich."

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"When your dream comes true, have another one! Your dream-box must never remain empty!"

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"Simeon had to agree that his future plans, although quite grand, were like pictures painted in fog. Nothing he could put his finger on. No dream ever remained unchanged long enough to take on any weight or substance, just a notion of something better waiting for him somewhere in the future."

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"It doesn't matter what you did, all what matters is what you want to do, when, where and how you are going to do it."

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"As we become the distant past, you become a future few of us would have imagined."

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"If silence of the days and darkness of the nights is the indicator of the doomsday, we are already in it."

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"Since the future is unknown, no path can take you to the known!"

Explore more quotes by Edith Wharton

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Edith Wharton
"That very afternoon they had seemed full of brilliant qualities, now she saw that they were merely dull in a loud way."
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Edith Wharton
"Overhead hung a summer sky furrowed with the rush of rockets; and from the east a late moon, pushing up beyond the lofty bend of the coast, sent across the bay a shaft of brightness which paled to ashes in the red glitter of the illuminated boats."
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Edith Wharton
"You mustn't tell your dreams. Miss Testvalley says nothing bores people so much as being told other people's dreams. Nan said nothing, but an iron gate seemed to clang shut in her - the gate that was so often slammed by careless hands. As if anyone could be bored by such dreams as hers!"
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Edith Wharton
"Some men," Flamel irresistibly added, "think of books merely as tools, others as tooling. I'm between the two; there are days when I use them as scenery, other days when I want them as society; so that, as you see, my library represents a makeshift compromise between looks and brains, and the collectors look down on me almost as much as the students."
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Edith Wharton
"A classic is classic not because it conforms to certain structural rules, or fits certain definitions (of which its author had quite probably never heard). It is classic because of a certain eternal and irrepressible freshness."
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Edith Wharton
"Life is either always a tightrope or a feather bed. Give me the tightrope."
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Edith Wharton
"A sense of having been decoyed by some world-old conspiracy into this bondage of body and soul filled her with despair. If marriage was the slow life-long acquittal of a debt contracted in ignorance, then marriage was a crime against human nature."
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Edith Wharton
"Life is always a tightrope or a feather bed. Give me the tightrope."
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Edith Wharton
"Another unsettling element in modern art is that common symptom of immaturity, the dread of doing what has been done before."
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Edith Wharton
"She had no tolerance for scenes which were not of her own making."
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