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Robert Creeley

"It's the classic story form. All staying equal, or proving equal, or being equal, this will all continue, and the next time around, we'll move on to see what happened to Harry after he dove in the river, or who his friend John really was, and so on."

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"It's the classic story form. All staying equal, or proving equal, or being equal, this will all continue, and the next time around, we'll move on to see what happened to Harry after he dove in the river, or who his friend John really was, and so on."

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Amber Hurdle

"Everywhere is nowhere. When a person spends all his time in foreign travel, he ends by having many acquaintances, but no friends."

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Amber Hurdle

"Piper: it looks like we have hole. Percy: Yeah we've got a dam hole! (LOL-ing) Piper: What! Percy: Inside joke. (still LOL-ing) Piper: Whatever."

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Amber Hurdle

"I am sorry to think that you do not get a man's most effective criticism until you provoke him. Severe truth is expressed with some bitterness."

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Amber Hurdle

"True friendship can afford true knowledge. It does not depend on darkness and ignorance."

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Amber Hurdle

"Friendships founded on laughter are always fortuitous."

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Amber Hurdle

"But it does not seem that I can trust anyone,' said Frodo.Sam looked at him unhappily. 'It all depends on what you want,' put in Merry. 'You can trust us to stick with you through thick and thin--to the bitter end. And you can trust us to keep any secret of yours--closer than you keep it yourself. But you cannot trust us to let you face trouble alone, and go off without a word. We are your friends, Frodo."

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Amber Hurdle

"Anna would like you, he thinks, looking into her face. Anna would like you."

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Amber Hurdle

"Be the person you would want to be friends with."

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Amber Hurdle

"Friendship is certainly the finest balm for the pangs of disappointed love."

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Amber Hurdle

"Some of my friends who know me best say they wouldn't trade places with me for $1 million because of the pace I lead."

Explore more quotes by Robert Creeley

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Robert Creeley
"That poetry survived in its formal agencies finally, and that prose survived to get something said."
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Robert Creeley
"All of which was OK, as that proved then, I certainly wouldn't contradict it as a necessary sense of things."
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Robert Creeley
"The awful thing, as a kid reading, was that you came to the end of the story, and that was it. I mean, it would be heartbreaking that there was no more of it."
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Robert Creeley
"It's as though all the terms of a family were present at one time rather than his dad and his mum. Not just a present authority, but the resident memory of what qualifies what else is the case."
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Robert Creeley
"The irony of our social group is that so often everyone feels this, but there's no company whatsoever in that feeling. Think of Pound's great emphasis, the way out is via the door."
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Robert Creeley
"Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this, and who else other people may be, and all that, it's so grimly brutal!"
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Robert Creeley
"Don't name it, as they say, because instantly you offer it to this peculiar authority."
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Robert Creeley
"There are a lot of editorials that have nothing to do with anything like that. But I was just thinking of that sense of prose as being very responsible and perceptive, thoughtful, intimate, and contriving a quote statement."
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Robert Creeley
"And what's fascinating in The Ten Thousand Things is that although there's time, an inexorable time of the three generations of lives, actively present, but place is the time, time doesn't really have to do with simply the human experience of it."
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Robert Creeley
"Again like Williams, with the emphasis now regrettable, when a man makes a poem, makes it mind you, he takes the words as he finds them lying interrelated about him."
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