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Joel Coen

"I guess it beats throwing trash for a living."

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"I guess it beats throwing trash for a living."

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Amber Hurdle

"Life is not about getting everything right, as much as it's about working to live right."

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Amber Hurdle

"I like living. I have sometimes been wildly, despairingly, acutely miserable, racked with sorrow, but through it all I still know quite certainly that just to be alive is a grand thing."

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Amber Hurdle

"Don't look for meaning in life. It was meant to be lived not understood."

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Amber Hurdle

"I'm of a fearsome mind to throw my arms around every living librarian who crosses my path, on behalf of the souls they never knew they saved."

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Amber Hurdle

"The shoe that fits one person pinches another; there is no recipe for living that suits all cases."

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Amber Hurdle

"If you are living out of a sense of obligation you are slave."

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Amber Hurdle

"I was a born troublemaker and might as well earn a living at it."

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Amber Hurdle

"I'm fine," [her dad] said gently. "Back on the horse, Cath.''What's the horse?' she sighed, watching him pull on a South High hoodie. 'Jogging? Working too much?''Living,' he said, a little too loud. 'Life's the horse."

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Amber Hurdle

"Born in a cellar... and living in a garret."

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Amber Hurdle

"In Paris, it used to feel like you were living in a museum. As beautiful as it was, it's still limited. But here you have just everything."

Explore more quotes by Joel Coen

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Joel Coen
"I guess everything having to do with your background has some influence on how you tell stories but it's hard to parse how growing up in a Jewish community in Minnesota really affected it."
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Joel Coen
"We have an uncanny ability to make birds do what we want them to do. In Blood Simple there's a shot from the bumper of a car and it's going up this road and a huge flock of birds takes off at the perfect moment."
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Joel Coen
"If the material is challenging, it forces you to challenge yourself when handling it."
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Joel Coen
"The point at which we worked with some of these actors, they weren't really stars yet. Nicolas Cage was not a big star when we did Raising Arizona. A lot of these people were also virtually unknown, too, when we worked with them first."
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Joel Coen
"The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them."
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Joel Coen
"I'd be perfectly happy never to have to answer anything again about how I work with Ethan, or whether we have arguments, or... you know what I mean? I've been answering those questions for 20 years. I suppose it's interesting to people."
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Joel Coen
"And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before."
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Joel Coen
"You're doing it to make the character as specific as possible, so that it's a specific individual that you're talking about, not that whole class of people."
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Joel Coen
"The question is: Where would it get you if something that's a little bit ambiguous in the movie is made clear? It doesn't get you anywhere."
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Joel Coen
"I think when you watch the dailies, the film that you shoot every day, you're very excited by it and very optimistic about how it's going to work."
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