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Satyajit Ray

"My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful."

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"My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful."

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Donna Grant

"My college training was primarily in theatre, with an eye to becoming a director, actor, or producer."

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Personal Development

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Donna Grant

"I don't think I would be an actor if I was that intelligent."

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Personal Development

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Donna Grant

"I was convinced there as only one actor to play Templeton the Rat, and that was Tony Randall."

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Personal Development

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Donna Grant

"A lot of actors don't like to see how they've done every day."

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Personal Development

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Donna Grant

"Being an actor means being an instrument for someone else. I want to give myself completely."

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Personal Development

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Donna Grant

"Being a film actor is very different from a theatre actor."

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Personal Development

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Donna Grant

"An actor is a guy who, if you ain't talking about him, he ain't listening."

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Personal Development

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Donna Grant

"Every actor I think has got their own number of takes that they like, you know. Some actors like to go all day, you know on the one scene and some actors want to take two takes. I personally like four."

Author Name

Personal Development

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Donna Grant

"Being unemployed is not good for an actor. No, it isn't, no matter how unsuccessful you are. Because you always remember getting fired from all the restaurants. You remember that stuff very, very strongly."

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Personal Development

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Donna Grant

"I decided to become an actor because I was failing in school and I needed the credits."

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Satyajit Ray
"I think they quite like me when I work because I'm one of the safer directors to back, because even if my films don't bring their costs in back home, once they're shown outside of India they manage to cover the costs."

Work

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Satyajit Ray
"When I write an original story I write about people I know first-hand and situations I'm familiar with. I don't write stories about the nineteenth century."

People

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Satyajit Ray
"It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn't want to do the same kind of film again, so I made a musical."

Home

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Satyajit Ray
"At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music."

Age

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Satyajit Ray
"I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it."

Habit

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Satyajit Ray
"What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure."

Perception

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Satyajit Ray
"My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful."

Actor

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Satyajit Ray
"I mix Indian instruments with Western instruments all the time."

Time

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Satyajit Ray
"The conception of background music is changing. You use less and less of it these days."

Music

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Satyajit Ray
"The only solutions that are ever worth anything are the solutions that people find themselves."

People

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