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Luc Ferrari

"With the piano I'm completely in control of the gestural situation-not that I'm going to play the piece myself, but I know what's difficult, what's impossible."

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"With the piano I'm completely in control of the gestural situation-not that I'm going to play the piece myself, but I know what's difficult, what's impossible."

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Amber Hurdle

"If I choose to take the pen from God and write the story of my life without Him, I better have plenty of erasers and a whole lot of white-out. Better yet, I should invest in a good shredder."

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Amber Hurdle

"A salary is, to a man's employer, what his wife's vagina is to his wife: a tool used to (1) reward; and (2) control him."

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Amber Hurdle

"It is sad, people what to control others. But they have not learned to know their soul."

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Amber Hurdle

"You have no future when the past rules you."

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Amber Hurdle

"Mood has to be controlled.Otherwise, it's your master."

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Amber Hurdle

"Man is always equal to his purpose; when you control him, you do half a job but when you control his purpose, you do a total job."

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Amber Hurdle

"Stay calm and exercise restrain during your most desperate moment or you shall desperately say what when your desperation is over, you shall come to a later realization of what you shouldn't have say and notice how silence could have been the best option to mere words!"

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Amber Hurdle

"I tell myself that with enough effort, I can control my feelings."

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Amber Hurdle

"The law is the anchor of our feelings. If the law holds our feelings well, it directs our feelings well. If however, the laws fails to hold our feelings well, our feelings become free enough for us to do what we feel freely."

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Amber Hurdle

"There are heads of royal families who control hereditary fortunes that defy comprehension."

Explore more quotes by Luc Ferrari

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Luc Ferrari
"Well, first I studied piano. I wasn't very satisfied because I though my teachers were dumb... and repressive."
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Luc Ferrari
"Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology."
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Luc Ferrari
"I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s."
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Luc Ferrari
"I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing."
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Luc Ferrari
"When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them."
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Luc Ferrari
"I have problems with machines which aren't gestural."
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Luc Ferrari
"So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own."
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Luc Ferrari
"Boulez seemed to me to be a guy who wrote laws. Like a company lawyer."
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Luc Ferrari
"Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character."
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Luc Ferrari
"I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write notes too."
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