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Luc Ferrari

"With the piano I'm completely in control of the gestural situation-not that I'm going to play the piece myself, but I know what's difficult, what's impossible."

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"With the piano I'm completely in control of the gestural situation-not that I'm going to play the piece myself, but I know what's difficult, what's impossible."

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Akiroq Brost

"I can't sprinkle sprinkles on. I lose control when I have sprinkles. I'm shaky. I still remember the great sprinkle accident of 1982."

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Akiroq Brost

"What I hate is the thought of being under a man's thumb," I had told Doctor Nolan. "A man doesn't have a worry in the world, while I've got a baby hanging over my head like a big stick, to keep me in line."

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Akiroq Brost

"When parameters are not set for man, there is always an unknown abuse."

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Akiroq Brost

"One year they asked me to be poster boy - for birth control."

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Akiroq Brost

"It's essential to distinguish between events that are really beyond your control and events you caused yourself."

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Akiroq Brost

"For me, as a beginning novelist, all other living writers form a control group for whom the world is a placebo."

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Akiroq Brost

"Try to control your anger before it burns your life."

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Akiroq Brost

"The ego constantly competes with the spirit for control over your inner voice."

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Akiroq Brost

"Is anarchism desirable? Well, who does not seek freedom? What man, unless willing to declare himself in bondage, would care to call any control agreeable? Think about it!"

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Akiroq Brost

"Unless you become more watchful in your states and check the spirit of monopoly and thirst for exclusive privileges you will in the end find that... the control over your dearest interests has passed into the hands of these corporations."

Explore more quotes by Luc Ferrari

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Luc Ferrari
"I was born in Paris, and I haven't moved, except until now - I live in the suburbs and I hate it."
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Luc Ferrari
"I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing."
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Luc Ferrari
"I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write notes too."
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Luc Ferrari
"So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own."
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Luc Ferrari
"Boulez seemed to me to be a guy who wrote laws. Like a company lawyer."
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Luc Ferrari
"When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them."
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Luc Ferrari
"I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s."
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Luc Ferrari
"Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character."
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Luc Ferrari
"My sisters were going out with artists and poets, and eventually it was the creative world which attracted me."
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Luc Ferrari
"Well, first I studied piano. I wasn't very satisfied because I though my teachers were dumb... and repressive."
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