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"In this drawing we just let our imagination run wild. We visualized Superman toys, games, and a radio show - that was before TV - and Superman movies. We even visualized Superman billboards. And it's all come true."
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Exlpore more Imagination quotes
"What if dragons breathed bubbles and purred when they cuddled and giggled at chivalrous knights for their troubles?What if dragons felt soft, having scales made of cloth,and they moved rather slow like a brown-throated sloth?What if dragons were shyand did easily crywhen confronted by characters callous and sly?What if dragons did goodbut were misunderstoodso men mercilessly slew the beasts right where they stood?What if dragons aren't missedbecause there is no listof extinct types of quarry that now don't exist?"
"Considering Adrian had once gotten bored while reading while reading a particularly long menu, I had a hard time imagining he'd read the Hugo book in any language."
"But then again, if you don't imagine, nothing ever happens at all. Imagining isn't perfect. You can't get all the way inside someone else. I could never have imagined Margo's anger at being found, or the story she was writing over. But imagining being someone else, or the world being something else, is the only way in."
"In my reality all the mosquitoes are vampires and all fireflies are dragons."
"If I wholly unleash my imagination and forcefully stretch it out beyond its own edges, even at such a point I can only imagine a thin shard of this most immense God. And even though it is but a thin shard, it will nonetheless be mesmerizingly colossal."
"Do you have vivid picture of your visions in your mind?"
"We are blessed with a finite life, but our imaginations are infinite."
"It is not in the gene of an Intellectually blinded person to experience the paradise in the writer's imagination."
"You are only limited by your imagination."
"There are lots of people who mistake their imagination for their memory."
Explore more quotes by Joe Shuster
"Not only that, but when I first met Joe, to my intense delight, he showed me that he was a collector. He was collecting some of the early Tarzan pages by Hal Foster, and, later, early Flash Gordons; and I found that we were both absolutely interested in the same type of thing."
"In the beginning, we had a great deal of freedom, and Jerry wrote completely out of his imagination - very, very freely. We even had no editorial supervision to speak of, because they were in such a rush to get the thing in before deadline. But later on we were restricted."
"And I agreed the feeling of action as he was flying or jumping or leaping - a flowing cape would give it movement. It really helped, and it was very easy to draw."
"He was mostly leaping tall buildings in the beginning. There were cases where he would leap off a tall building or swoop down, and at that point he would look like he was flying, I suppose. It was just natural to draw him like that."
"Jerry reversed the usual formula of the superhero who goes to another planet. He put the superhero in ordinary, familiar surroundings, instead of the other way around, as was done in most science fiction. That was the first time I can recall that it had ever been done."
"I had to produce a complete page - or two or three - in one day. I took a lot of pride in my work, and I hated to do a mediocre job. Evidently, some of the writers enjoyed my work best of all for that very reason."
"Jerry often says that Slam Bradley was really the forerunner of Superman, because we turned it out with no restrictions, complete freedom to do what we wanted; the only problem was that we had a deadline."
"I came from Canada when I was about 10 years old, and our family settled in Cleveland, Ohio."
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