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Pedro Almodovar

"It's a pity that I can never really enjoy my movies because, after the mixing, your capacity as a spectator just disappears. I have to think about what I felt just before the mixing."

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"It's a pity that I can never really enjoy my movies because, after the mixing, your capacity as a spectator just disappears. I have to think about what I felt just before the mixing."

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Akshay Vasu

"I remember when first, Stripes, and then Animal House came out - which I was really proud of, even though it was kind of loose and quite raucous - there were imitative movies that were not quite as good."

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Personal Development

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Akshay Vasu

"I make movies I want to see."

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Personal Development

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Akshay Vasu

"I do believe that movies are subject to a million interpretations."

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Personal Development

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Akshay Vasu

"I've been very successful doing voices in movies. I did Olive, the Other Reindeer, with Drew Barrymore, and I did Cats and Dogs. My children came to some of the sessions."

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Personal Development

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Akshay Vasu

"There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific."

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Personal Development

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Akshay Vasu

"I know there's a great deal that Arnold Schwarzenegger could teach me about making movies. There's a great deal I could teach him about the fiscal reforms that are needed - desperately needed - to set California back in good order."

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Personal Development

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Akshay Vasu

"Pornography is rather like trying to find out about a Beethoven symphony by having somebody tell you about it and perhaps hum a few bars."

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Personal Development

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Akshay Vasu

"All I do is go to the movies."

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Personal Development

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Akshay Vasu

"What we were in on, really, was the invention of animation."

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Personal Development

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Akshay Vasu

"Movies are not scripts - movies are films; they're not books, they're not the theatre."

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Pedro Almodovar
"I think decor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story."

Work

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Pedro Almodovar
"In fact, it was the women in our house who were in the saddle. If men are the gods, women are not only the presidents but all the ministers of the government."

Government

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Pedro Almodovar
"Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places."

Time

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Pedro Almodovar
"Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be. When I was moving around with the lens, I discovered things that the naked eye would not have."

Work

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Pedro Almodovar
"After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception."

Success

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Pedro Almodovar
"The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple."

Emotional

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Pedro Almodovar
"I used this line to demonstrate how important colors are in movies: It's not a caprice."

Colors

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Pedro Almodovar
"Even though I love my mother, I didn't want to make an idealized portrait of her. I'm fascinated more by her defects - they are funnier than her other qualities."

Love

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Pedro Almodovar
"It's a pity that I can never really enjoy my movies because, after the mixing, your capacity as a spectator just disappears. I have to think about what I felt just before the mixing."

Movies

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Pedro Almodovar
"The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images."

Challenge

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