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"It's that I don't like white paper backgrounds. A woman does not live in front of white paper. She lives on the street, in a motor car, in a hotel room."
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"I replaced the headlights in my car with strobe lights, so it looks like I'm the only one moving."
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"Onion rings in the car cushions do not improve with time."

"The fact is that a car used by Gerry Adams and myself during the course of the Mitchell review was bugged by elements within British military intelligence."

"Freedom is not an ideal, it is not even a protection, if it means nothing more than freedom to stagnate, to live without dreams, to have no greater aim than a second car and another television set."

"Car designers are just going to have to come up with an automobile that outlasts the payments."
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"The New Dealers have all left Washington to make way for the car dealers."

"I went to watch my father at Silverstone in the early 1950s, and I've still got the car he was in."
Explore more quotes by Helmut Newton

"Well, it takes a certain amount of money. And I've got to see pictures of the person ahead of time. If I don't like the way the person looks I won't do it."

"I spend a lot of time preparing. I think a lot about what I want to do. I have prep books, little notebooks in which I write everything down before a sitting. Otherwise I would forget my ideas."

"I have mixed feelings about those sorts of things. When I see it done by interesting young people, I think it's very valid. But when established photographers, people in their forties, copy me and get a lot of money, well, I find that to be very stupid."

"I like photographing the people I love, the people I admire, the famous, and especially the infamous. My last infamous subject was the extreme right wing French politician Jean-Marie Le Pen."

"They often ask me to shoot for them. But I say no. I think an old guy like me ought not take pages away from young photographers who need the exposure."

"The whole series is black-and-white, so when I went to shoot one of the women I only had black-and-white film with me. She had reddish hair and was a very pretty girl, a nice girl."

"Technically, I have not changed very much. Ask my assistants. They'll tell you, I am the easiest photographer to work with. I don't have heavy equipment. I work out of one bag."

"I used to hate doing color. I hated transparency film. The way I did color was by not wanting to know what kind of film was in my camera."

"In the photographs themselves there's a definite contrast between the figures and the location - I like that kind of California backyard look; clapboard houses, staircases outdoors."
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