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Klaus Schulze

"I never had many problems to do my music and to give it to a record company. Rarely do they try to argue with me about my music, probably because it's still too far-out."

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"I never had many problems to do my music and to give it to a record company. Rarely do they try to argue with me about my music, probably because it's still too far-out."

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Akiroq Brost

"There are so few directors who are musical who appreciate music."

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Akiroq Brost

"I can see me continuing to make the best music I can, and let the chips fall where they may."

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Akiroq Brost

"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."

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Akiroq Brost

"I just really longed to do music that reflected me as an adult and music that I thought was for other adults."

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Akiroq Brost

"Anything I do has to be directly related to my music. If it isn't, I don't really see a point to it."

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Akiroq Brost

"I see music as one language. If one musical form eats its own tail, it dies. So it needs to be a mongrel, it needs to be hybridised."

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Akiroq Brost

"So all of the music had reference, or is inspired by something of the dharma that I've come in contact with."

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Akiroq Brost

"Every music - except dance music, which is for dancing, I suppose - is for the spirit of the human being, and not for the body."

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Akiroq Brost

"A song has to become as much a part of you as a tailored suit."

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Akiroq Brost

"There's nothing to compare to live music, there just isn't anything."

Explore more quotes by Klaus Schulze

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Klaus Schulze
"Every music - except dance music, which is for dancing, I suppose - is for the spirit of the human being, and not for the body."
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Klaus Schulze
"Because, also the world of showbiz is not just black and white, good and bad."
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Klaus Schulze
"Manuel is still today a good friend. The others I see rarely, but with Edgar I phone from time to time."
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Klaus Schulze
"I never had many problems to do my music and to give it to a record company. Rarely do they try to argue with me about my music, probably because it's still too far-out."
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Klaus Schulze
"Yes, I was invited to make the sound environment at a booth of a huge electronic company, during the Hanover Industrial Fair in 1973. It was a job. Slightly good paid. But not as much as my producer then told the press."
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Klaus Schulze
"The problem was the journalists who also did not understand much of my music, but they wrote about it. I think you fell into the usual trap laid out by parts of the press and other writers: that the poor musician has always to fight the evil companies and managers."
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Klaus Schulze
"My interest in his new toy, the Theremin, isn't very big. It simply does not fit into my way of playing music. I do not want to fiddle around with my hands in the air."
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Klaus Schulze
"I listened to the rock music of that time, but as you know and can easily hear: my music of that era had nothing to do with the common music of this era. I was experimenting, I was searching for something new."
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Klaus Schulze
"Then, in 1983 I went on a very long concert tour all over Europe."
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Klaus Schulze
"We are all part of a tradition, at least we depend on the past."
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