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"I think this, I think basically I'm not interested in people following my work or making work like my work."
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"The job description, like most, used complicated words that made job-hopefuls hesitant to apply because it may be out of their range of capability."

"We are so used to working that not working is the new hard work."

"And yet, troublingly, there is one difference between 'labour' and other elements [raw materials, machinery] which conventional economics does not have a means to represent, or give weight to, but which is nevertheless unavoidably present in the world: the fact that labour feels pain."

"A salary is a tax employers pay, every four weeks, for putting an employee's dream on hold."

"Read the Bible. Work hard and honestly. And don't complain."

"Work is a vehicle with which man chases some fleeting destination called a full tummy."

"To some women, a job plays the role of a man. To most women, a man plays the role of a job."

"A specialist's mind is a slave to his specialization."

"When I worked at the W. M. Keck Observatory on the 13,796 feet very high altitude summit of Mauna Kea, we would routinely be engulfed in cold clouds of helium and nitrogen gas as we discharged it into the video camera systems daily. The management team never warned us that we were in a hazardous oxygen deprived environment during this activity that was known for its ability to adversely affect physical and mental health, and possibly bring on death by asphyxiation."
Explore more quotes by Richard Serra

"Now when you have administrators deciding what sexuality is, and what's a taboo and what's not in terms of content, you got guys, like, Trent Lott who equates homosexuality with a disease."

"But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be."

"But you have to take all of those things, you have to take into consideration the paths, the roadways, how much cloud cover there is, how much foliage cover there is, whether there are streams, all of that comes into play."

"Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it."

"I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer."

"I think different people have different problems and different relations to the exhibition of their work."
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