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"The next day I was in my school's production of All My Sons. This was the performance where I realized something was happening between me and the audience that I hadn't recognized before."
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"Let your performance do the thinking."
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"No matter how many times audience has already applauded, the sound of their applause will get louder with the better quality of your magic effect."
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"I attended a symposium to hear Shilagh Mirgain, Ph.D. speak on Mindful Leadership. Throughout her program, I made sure to make eye contact and smile to support, affirm, and engage with her presentation. When audience members do this for me, it adds an extra punch of dynamic energy that enriches my presentations and improves my performance."
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"The place trembled with sound. I didn't need to do anything. They would do it all. But you had to be careful. Drunk as they were they could immediately detect any false gesture, any false word. You could never underestimate an audience. They had paid to get in; they had paid for drinks; they intended to get something and if you didn't give it to them they'd run you right into the ocean."
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"Teaching is the only major occupation of man for which we have not yet developed tools that make an average person capable of competence and performance. In teaching we rely on the "naturals," the ones who somehow know how to teach."
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"I consider that my best performance ever was as Peer Gynt."
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"I love a finished speaker I really truly do. I don't mean one who's polished I just mean one who's through."
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"I still get really nervous, though, before each performance. It kind of hits about 15 minutes before we go onstage - sometimes I don't even want to go on. But once I'm onstage I'm fine."
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"Actors should be overheard, not listened to, and the audience is 50 percent of the performance."
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"I say this quite deliberately, this is the finest Shakespearean performance I've seen."
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"The next day I was in my school's production of All My Sons. This was the performance where I realized something was happening between me and the audience that I hadn't recognized before."
Performance

"Over the years, I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected."
Audience

"I open myself up every time I walk on screen and give you everything that I am. There are parts of me that are in every movie that I've done. That to me is what my job is."
Time

"I'm lucky if I find one movie a year that's worth doing, and when I do find one, it usually only takes 20-30 days to shoot."
Worth

"And I certainly won't lay out areas of my life that I think are just private."
Life

"I've been on sets where things weren't relaxed because someone was creating tension for no reason."
Reason

"It's a great thriller or mystery, but on another level it's a film about the fact that, if you only look at a person through one lens, or only believe what you're told, you can often miss the truth that is staring you in the face."
Truth

"But I feel that I have a responsibility to help the film and I have relations with the studio and with those who put up the money so that I can tell a story that I believe in."
Money

"I'm not out there trying to get press for myself nor am I trying to convince anybody that I'm living any kind of a life. I'm actually trying to convince people: I don't want you to know what I'm living, because it's none of your business."
Business

"I've been trying to take this journey over the last four years of getting away from playing manipulative and villainous characters and playing characters that are affected by what happens to them as opposed to unaffected."
Journey
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