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Pete Townshend

"What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh."

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"What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh."

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Amber Hurdle

"People today are still living off the table scraps of the sixties. They are still being passed around - the music and the ideas."

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Personal Development

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Amber Hurdle

"This land is your land and this land is my land, sure, but the world is run by those that never listen to music anyway."

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Personal Development

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Amber Hurdle

"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."

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Personal Development

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Amber Hurdle

"Strains of music spring up, crystallizing in the night air like rain turning suddenly to snow, drifting to earth."

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Personal Development

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Amber Hurdle

"And of course there's so much music in and around our family. I had a piano during Christmas because it's obviously useful through the season. There are so many people, songwriters, who are around."

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Personal Development

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Amber Hurdle

"I knew the words to 25 rock songs, so I got in the group. Long Tall Sally and Tutti-Frutti, that got me in. That was my audition."

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Personal Development

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Amber Hurdle

"Nothing pleases me more than to go into a room and come out with a piece of music."

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Personal Development

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Amber Hurdle

"It was Elvis who really got me hooked on beat music. When I heard "Heartbreak Hotel" I thought, this is it."

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Personal Development

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Amber Hurdle

"I had this song called Helter Skelter, which is just a ridiculous song. So we did it like that, 'cuz I like noise."

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Personal Development

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Amber Hurdle

"I was about sixteen when I discovered that music could get you laid, so I got into music boy, didn't matter what you looked like either, you could be a geeky looking guy but if you played music, whoa, you'd get the girls."

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Pete Townshend
"I just could not believe that 30 years later we're still looking at people who are supposed to write little 2-minute pop that when they actually try to do something that's a little bit more they regard it as pretentious."

People

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Pete Townshend
"I only really started to go to plays and to be interested in drama 20 years ago when as an artist I was already well-rounded. I think I'm more disciplined today."

Artist

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Pete Townshend
"It wasn't just about flashing lights and pinball machines blowing up and things like that. It was about using encores, bringing back the good songs and using techniques that I knew about from rock performance."

Performance

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Pete Townshend
"The problem for me, still today, is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage."

Music

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Pete Townshend
"I think I probably would have enjoyed to keep my own private pain out of my work. But I was changed by my audience who said your private pain which you have unwittingly shown us in your early songs is also ours."

Work

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Pete Townshend
"I have terrible hearing trouble. I have unwittingly helped to invent and refine a type of music that makes its principal proponents deaf."

Music

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Pete Townshend
"But what was interesting about what the Who did is that we took things which were happening in the pop genre and represent them to people so that they see them in a new way. I think the best example is Andy Warhol's work, the image of Marilyn Monroe or the Campbell's soup can."

Work

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Pete Townshend
"Bob Dylan did the first really long record - Like A Rolling Stone - I think it was four minutes."

First

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Pete Townshend
"Some of our early work was two minutes twenty when it actually came out on vinyl, very, very, very short. Sometimes if you made a three-minute record they would make you do an edited version for radio, particularly in America."

Work

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Pete Townshend
"What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh."

Music

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