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Pete Townshend

"What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh."

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"What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh."

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Amber Hurdle

"I think I first realized I wanted to be in country music and be an artist when I was 10. And I started dragging my parents to festivals, and fairs, and karaoke contests, and I did that for about a year before I came to Nashville for the first time. I was 11 and I had this demo CD of me singing Dixie Chicks and Leanne Rimes songs."

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Amber Hurdle

"Music when healthy, is the teacher of perfect order, and when depraved, the teacher of perfect disorder."

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Amber Hurdle

"When I first came to Nashville, people hardly gave country music any respect. We lived in old cars and dirty hotels, and we ate when we could."

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Amber Hurdle

"When there's music in your soul, there's soul in your music."

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Amber Hurdle

"What is my definition of jazz? 'Safe sex of the highest order."

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Amber Hurdle

"What kind of songs do you like? she asked."The ones that remind me of you," I said."

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Amber Hurdle

"I usually think in terms of music."

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Amber Hurdle

"It means so much being a part of country music and the Opry."

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Amber Hurdle

"Music has the ability to express in the upbeat every brilliant aspect of existence, while on the downbeat convey the anguish that a human being experiences when apprehending the fleeting nature of time, and the mysterious torture of living and dying. Music stands alone in its ability to communicate the symbols and phases of life, both being and nonbeing."

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Amber Hurdle

"One thing I've tried to do in writing music is take on very basic things, very archetypal things."

Explore more quotes by Pete Townshend

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Pete Townshend
"Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could write about political and quite controversial subjects. Certainly what we did followed on from what was happening with the angry young men in the theatre."
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Pete Townshend
"What the Who is all about is exactly that and it always has been. If it exists today for this concert, it's in response again to a function which is happening out there on the street."
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Pete Townshend
"I know how it feels to be a woman because I am a woman. And I won't be classified as just a man."
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Pete Townshend
"What we learned quite early on is what was really important to early British pop that we produced-and this is where we were distinct from almost everybody else in this respect-is that it had to reflect exactly what the audience wanted us to say."
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Pete Townshend
"What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive."
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Pete Townshend
"He is the king. If it hadn't been for Link Wray and 'Rumble,' I would have never picked up a guitar."
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Pete Townshend
"A lot of my audience are in their 50s. But they want me to pretend to continue to be pretending."
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Pete Townshend
"I only really started to go to plays and to be interested in drama 20 years ago when as an artist I was already well-rounded. I think I'm more disciplined today."
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Pete Townshend
"I have terrible hearing trouble. I have unwittingly helped to invent and refine a type of music that makes its principal proponents deaf."
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Pete Townshend
"But what was interesting about what the Who did is that we took things which were happening in the pop genre and represent them to people so that they see them in a new way. I think the best example is Andy Warhol's work, the image of Marilyn Monroe or the Campbell's soup can."
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