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Ken Burns

"I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films."

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"I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films."

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Amber Hurdle

"I have a sneaking suspicion that if there were a way to make movies without actors, George Lucas would do it."

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Amber Hurdle

"I have three kids who like Harry Potter so I was sort of aware of it. You can't really move from it: it's on buses, in stores, it's everywhere. One of my kids has read the books; the other two are too small but they like the movies."

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Amber Hurdle

"I think more than writers, the major influences on me have been European movies, jazz, and Abstract Expressionism."

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Amber Hurdle

"I didn't grow up thinking of movies as film, or art, but as movies, something to do on a Saturday afternoon."

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Amber Hurdle

"I write screenplays that don't get made and pilots that don't get picked up, and I re-write other people's movies, and those are all different kinds of fees."

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Amber Hurdle

"Yes well I've done three movies with Samuel L. Jackson, so I've met him a couple of times already. Well, I see him everyday, but its only on the screen."

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Amber Hurdle

"I certainly look at them very differently now, and enjoy Jackie Chan movies and movies like that."

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Amber Hurdle

"I think the reason we're so crazy sexually in America is that all our responses are acting. We don't know how to feel. We know how it looked in the movies."

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Amber Hurdle

"You see so many movies... the younger people who are coming from MTV or who are coming from commercials and there's no sense of film grammar. There's no real sense of how to tell a story visually. It's just cut, cut, cut, cut, cut, you know, which is pretty easy."

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Amber Hurdle

"The most exciting thing for all of us is movies and movie stars."

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Ken Burns
"A jazz beat is a dynamic changing rhythm."
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Ken Burns
"I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault."
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Ken Burns
"History is malleable. A new cache of diaries can shed new light, and archeological evidence can challenge our popular assumptions."
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Ken Burns
"Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being."
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Ken Burns
"By its very nature, no one person can ever be the center of jazz."
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Ken Burns
"I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content."
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Ken Burns
"You need, as a historian, essential triangulation from your subject and the only way you get that triangulation is through time."
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Ken Burns
"You can learn as much about the history from reading about the present as you can vice versa, that is learning about the present through history, which is what I do for a living."
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Ken Burns
"When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things."
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Ken Burns
"I treat the photograph as a work of great complexity in which you can find drama. Add to that a careful composition of landscapes, live photography, the right music and interviews with people, and it becomes a style."
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