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"Technically, I have not changed very much. Ask my assistants. They'll tell you, I am the easiest photographer to work with. I don't have heavy equipment. I work out of one bag."
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"The job description, like most, used complicated words that made job-hopefuls hesitant to apply because it may be out of their range of capability."

"We are so used to working that not working is the new hard work."

"The office' is a cemetery of dreams."

"I didn't want to give up my job and join the ranks of the Doing Fuck All brigade no matter how much money I had in the bank."

"Sloth makes all things difficult, but industry all easy; and he that riseth late must trot all day, and shall scarce overtake his business at night; while laziness travels so slowly, that poverty soon overtakes him."

"Wherever you work, work hard and educate yourself continuously. You must never forget social welfare, ethics and honesty. However, there is no guarantee for your career progression. Therefore, don't expect that only the best people will be promoted."

"And yet, troublingly, there is one difference between 'labour' and other elements [raw materials, machinery] which conventional economics does not have a means to represent, or give weight to, but which is nevertheless unavoidably present in the world: the fact that labour feels pain."

"Sun's role in the grand scheme of development is to work on the runtime environment and the APIs. The tools we produce are much more for systems programmers, not enterprise developers."

"A salary is a tax employers pay, every four weeks, for putting an employee's dream on hold."

"Read the Bible. Work hard and honestly. And don't complain."
Explore more quotes by Helmut Newton

"I used to hate doing color. I hated transparency film. The way I did color was by not wanting to know what kind of film was in my camera."

"People gave us everything for free. We were allowed only so much film per picture, but there was no limit to the creativity. I like to say that they let us loose like wild dogs in the streets of Paris."

"They often ask me to shoot for them. But I say no. I think an old guy like me ought not take pages away from young photographers who need the exposure."

"It's that I don't like white paper backgrounds. A woman does not live in front of white paper. She lives on the street, in a motor car, in a hotel room."

"I spend a lot of time preparing. I think a lot about what I want to do. I have prep books, little notebooks in which I write everything down before a sitting. Otherwise I would forget my ideas."

"In the photographs themselves there's a definite contrast between the figures and the location - I like that kind of California backyard look; clapboard houses, staircases outdoors."

"The whole series is black-and-white, so when I went to shoot one of the women I only had black-and-white film with me. She had reddish hair and was a very pretty girl, a nice girl."

"I have mixed feelings about those sorts of things. When I see it done by interesting young people, I think it's very valid. But when established photographers, people in their forties, copy me and get a lot of money, well, I find that to be very stupid."

"I like photographing the people I love, the people I admire, the famous, and especially the infamous. My last infamous subject was the extreme right wing French politician Jean-Marie Le Pen."
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