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John Lasseter

"Animation is the one type of movie that really does play for the entire audience. Our challenge is to make stories that connect for kids and adults."

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"Animation is the one type of movie that really does play for the entire audience. Our challenge is to make stories that connect for kids and adults."

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Amber Hurdle

"The fairy tale is in a perpetual state of becoming and alteration. To keep to one version or one translation alone is to put robin redbreast in a cage."

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Amber Hurdle

"Iff replied that the Plentimaw Fishes were what he called 'hunger artists' - 'Because when they are hungry they swallow stories through every mouth, and in their innards miracles occur; a little bit of one story joins on to an idea from another, and hey presto, when they spew the stories out they are not the old tales but new ones. Nothing comes from nothing, Thieflet; no story comes from nowhere; new stories are born from old - it is the new combinations that make them new."

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Amber Hurdle

"What so tedious as a twice-told tale?"

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Amber Hurdle

"A great story is impossible to forget."

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Amber Hurdle

"The making of stories is only one part of my craft -mainly, I'm a heart whisperer..."

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Amber Hurdle

"A story is based on what people think is important, so when we live a story, we are telling people around us what we think is important."

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Amber Hurdle

"A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis towards something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural law."

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Amber Hurdle

"Socially interacting with a storyteller can be a frustrating challenge because a portion of her awareness is constantly sorting through the details of a developing book. And while you may successfully engage in a meaningful conversation with her, an additional part of her mind is frantically sifting through descriptive lines to be used if ever she were to write this exchange down. The trouble with writers is that they are ALWAYS writing!"

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Amber Hurdle

"If you want to know someone's story, they have to tell it aloud. But every time, the telling is a little but different. It's new, even to me."

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Amber Hurdle

"Far more often [than asking the question 'Is it true?'] they [children] have asked me: 'Was he good? Was he wicked?' That is, they were far more concerned to get the Right side and the Wrong side clear. For that is a question equally important in History and in Faerie."

Explore more quotes by John Lasseter

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John Lasseter
"Soon I learned that the worse the puns and jokes, the funnier they could be, if you knew how to deliver them."
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John Lasseter
"I love movies that make me cry, because they're tapping into a real emotion in me, and I always think afterwards: how did they do that?"
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John Lasseter
"The art challenges the technology, and the technology inspires the art."
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John Lasseter
"Walt Disney had always tried to get more dimension in his animation and when I saw these tapes, I thought, This is it! This is what Walt was waiting for! But when I looked around, nobody at the studio at the time was even halfway interested in it."
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John Lasseter
"In dire economic times, movies are relatively inexpensive entertainment for the whole family."
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John Lasseter
"Every single Pixar film, at one time or another, has been the worst movie ever put on film. But we know. We trust our process. We don't get scared and say, 'Oh, no, this film isn't working.'"
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John Lasseter
"If you're sitting in your minivan, playing your computer animated films for your children in the back seat, is it the animation that's entertaining you as you drive and listen? No, it's the storytelling. That's why we put so much importance on story. No amount of great animation will save a bad story."
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John Lasseter
"I believe in the nobility of entertaining people and I take great, great pride that people are willing to give me two or three hours of their busy lives."
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John Lasseter
"Sure, they were simple desk lamps with only a minimal amount of movement, but you could immediately tell that Luxo Jr. was a baby, and that the big one was his mother. In that short little film, computer animation went from a novelty to a serious tool for filmmaking."
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John Lasseter
"I quickly realized that this medium had a lot to offer someone like me. To do Disney-quality hand-drawn cartoons, you have to be a master of two art forms. Seriously, you have to be able to draw like a Leonardo da Vinci or a Michelangelo. But also you have to know movement and timing and control that through 24 frames a second."
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