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"It's not that Shakespeare is frivolous, but you spend your time just getting people to dress up in other people's costumes and pretending to be people that they're not, and you think, after the years go by, well, what on earth was all that about?"
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"We were the only two people in the entire airport who lost total track of time, for we were consumed by space-time at that present moment. Time was irrelevant to our existence, for we didn't want to exist outside the tight and glorious knots of each other's arms. Time is basically an illusion created by the mind to aid in our sense of temporal presence in the vast ocean of space. Without the neurons to create a virtual perception of the past and the future based on all our experiences, there is no actual existence of the past and the future. All that there is, is the present."
Explore more quotes by Jonathan Miller
"I was trained as a neurologist, and then I went into the theater, and if you're brought up to think of yourself as a biological scientist of some sort, pretty well everything else seems frivolous by comparison."
"You spend ten years of your life being trained to do one thing, and you're being taught to think that it's the most serious thing that anyone could possibly do, and then suddenly you find yourself doing something that in some respects is the epitome of frivolity."
"The burden of the past is only, I think, oppressive when you've got to go on the experience of the avant garde."
"I became startled by the extraordinary difference between something whose surface is completely invisible which only makes itself present by virtue of what it reflects, and a window, which doesn't make itself apparent at all, in the ideal case."
"I'm not against asking the audience to work, but I think what you have now is a sort of gratuitous deconstruction as a result of a fashion of literary deconstructionism indicating that there are no meanings."
"Being a doctor has taught me a lot about directing. You're doing the same thing: You're reconstructing the manifold of behavior to the point where an audience says, yes, that's exactly like people I know."
"What people want is not what some would call imaginative and often austere productions but very lavish productions which cast back into the auditorium an image of their affluence."
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