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Siobhan Davies

"I don't start a piece knowing exactly what effect it's going to have. There is a seed of an idea that I could never articulate, right at the beginning of the piece, literally like one cell."

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"I don't start a piece knowing exactly what effect it's going to have. There is a seed of an idea that I could never articulate, right at the beginning of the piece, literally like one cell."

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Akiroq Brost

"The real battlefield is the realm of ideas."

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Akiroq Brost

"Give people films, they will forget after a few weeks, but give people ideas, they will assimilate them into their consciousness."

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Akiroq Brost

"My idea of heaven is a great big baked potato and someone to share it with."

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Akiroq Brost

"From the port of ideas, not only the most clever ones put out to sea and conquer the world but also the most stupid ones do this!"

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Akiroq Brost

"To move the earth like Archimedes, one needs not a lever long enough and a fulcrum on which to place it. There is an easier way: Give a genius a beautiful remote house in a green valley where he can think calmly, and he shall move the earth with ideas!"

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Akiroq Brost

"Through your ideas, you open the window of your mind and say a hello to the world."

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Akiroq Brost

"I couldn't tell you what I am going to do next 'cause I have no idea, but I am open to anything."

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Akiroq Brost

"And so from that, I've always been fascinated with the idea that complexity can come out of such simplicity."

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Akiroq Brost

"I like the idea of playing in unison with yourself."

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Akiroq Brost

"Something new has taken place in the past five to eight years. Technologists are providing almost religious visions, and their ideas are resonating in some ways with the same idea of the Rapture."

Explore more quotes by Siobhan Davies

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Siobhan Davies
"Well, it's not full time - my dancers are only paid for six months of the year in two three-month blocks; but yes, it is possible we could do it in another year."
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Siobhan Davies
"The first 2 weeks, they didn't learn the piece - they went through the process of how the piece was made."
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Siobhan Davies
"It's not just for its influence on us, but to know that we can play a part in it, to understand the influence that we have outside our own existence."
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Siobhan Davies
"Then I came in twice a week - for my own enjoyment as well as to be a guide. And then we started to apply some of the splinters of the ideas back into the piece."
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Siobhan Davies
"One of our problems is our sense of discipline - dancers have an extraordinary sense of self-discipline."
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Siobhan Davies
"Yes - it's the same in any other work - the more you massage your thinking the more capable I believe you are of expanding how you go about things and learning."
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Siobhan Davies
"Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water."
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Siobhan Davies
"We're talking about people who've already got 3-4, if not 5-6 years' experience or more, and it's about trying to help professionals develop, using us as a resource for that development."
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Siobhan Davies
"They improve greatly, and sometimes I go and see the performances they do and I am consciously aware that there isn't enough work for the good dancers."
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Siobhan Davies
"On the other hand in London you can get an audience that desires dance to go as far as it can go: they've seen the bricks of ideas built over a period so therefore there is an acceptance of what otherwise might seem out on a limb."
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