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"A motion picture, or music, or television, they have to maintain a certain decorum in order to be broadcast to a vast audience. Other forms of mass media cost too much to produce a risk reaching only a limited audience. Only one person. But a book. . . . A book is cheap to print and bind. A book is as private and consensual as sex. A book takes time and effort to consume - something that gives a reader every chance to walk away. Actually, so few people make the effort to read that it's difficult to call books a "mass medium." No one really gives a damn about books. No one has bothered to ban a book in decades."
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"A newspaper is an oversized book with adverts and an expiry date."

"Just because I publish pornography does not mean that I am not concerned about the social ills that all of us are."

"I just say I'm an artist who works with pictures and words."

"In a society where dirt sells, for every good story told as it is, you will hear the whole of that day's 10 bad stories sensationalized; although in reality, it could be that 100 good deeds happened that day which went unsung."

"I skip through the programming to watch the commercials."

"Ever wonder why the media never refers to 18 or 19 year old American soldiers as "armed teens"?"

"Advertisements contain the only truths to be relied on in a newspaper."

"TV happens. And once it's happened, it's gone. When it's gone, you move on, no tears, no tantrums, no videotape."
Explore more quotes by Chuck Palahniuk

"If you can change the way people think, she said.The way they see themselves.The way they see the world.If you do that, you can change the way people live their lives.And that's the only lasting thing you can create."

"Do you know why most survivors of the Holocaust are vegan? It's because they know what it's like to be treated like an animal."

"HELLO! Look at me. HELLO! I am so ZEN. This is BLOOD. This is NOTHING. Hello. Everything is nothing, and it's so cool to be ENLIGHTENED. Like me."

"Personal identity seems like it's just such an American archetype, from Holly Golightly re-inventing herself in 'Breakfast At Tiffany's' to Jay Gatsby in 'The Great Gatsby.' It seems like the sort of archetypal American issue. If you're given the freedom to be anything, or be anyone, what do you do with it?"

"Of the big horror movies of the '70s, you have 'The Omen,' 'The Sentinel,' 'Rosemary's Baby,' 'The Stepford Wives,' 'Burnt Offerings' - these are all romantic fatalist movies where there's a sort of glimmer of hope... but darkness wins."

"If this is death, if we are dead or dying or even if we are living and just going to die, then what do we have to fear? What are we worried about? I think the knowledge of death is freeing. That pressure we feel, the weight of life and its impending conclusion, is imaginary. And the fact that we're all in this together is unifying: there's solidarity in mortality."
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