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"The ferocity of Santiago Nasar's fate, which had collected twenty years of happiness from him not only with his death but also with the dismemberment of his body and its dispersion and extermination."
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"Fate has this weird way of making your wish come true by supplementing it with ten other spiteful things."

"I have it in my head that when we're born, God writes things down on our hearts. See, on some people's hearts he writes happy and on some people's hearts he writes sad and on some people's hearts he writes crazy and on some people's hearts he writes genius and on some people's hearts he writes angry and on some people's hearts he writes winner and on some people's hearts he writes loser."

"It seems when Opportunity knocks, Fate shows up to open the door."

"If the whole world is evil, then the tragedy that befell you is justified," she went on. "That would make it easier for you to accept the deaths of your wife and daughters. But if good people do exist, then, however much you deny it, your life will be unbearable; because fate set a trap for you, and you know you didn't deserve it. It isn't the light you want to recover, it's the certainty that there is only darkness."

"Maybe when we face a tragedy, someone, somewhere is preventing a bigger tragedy from happening."

"A person's destiny often ends before his death."

"Some people would not be dead if they have not gotten the things or people they had prayed for."
Explore more quotes by Gabriel Garcia Marquez

"In her final years she would still recall the trip that, with the perverse lucidity of nostalgia, became more and more recent in her memory."

"I discovered that I am not disciplined out of virtue but as a reaction to my negligence, that I am generous to conceal my meanness, that I pass myself off as prudent because I am evil-minded, that I am conciliatory in order not to succumb to my suppressed rage, that I am punctual only only to hide how little I care about other peoples time."

"In the parlor was a huge camera on wheels like the ones used in public parks, and the backdrop of a marine twilight, painted with homemade paints, and the walls papered with pictures of children at memorable moments: the first Communion, the bunny costume, the happy birthday. Year after year, during contemplative pauses on afternoons of chess, Dr. Urbino had seen the gradual covering over of the walls, and he had often thought with a shudder of sorrow that in the gallery of casual portraits lay the germ of the future of the city, governed and corrupted by those unknown children, where note even the ashes of his glory would remain."

"He dared to explore her withered neck w/his fingertips, her hips w/their decaying bones, her thighs with their aging veins."

"I became another man. I tried to reread the classics that had guided me in adolescence, and I could not bear them. I buried myself in the romantic writings I had repudiated when my mother tried to impose them on me with a heavy hand, and in them I became aware that the invincible power that has moved the world is unrequited, not happy love."

"Things have a life of their own," the gypsy proclaimed with a harsh accent. "It's simply a matter of waking up their souls."

"The Widow Nazaret never missed her occasional appointments with Florentino Ariza, not even during her busiest times, and it was always without pretensions of loving or being loved, although always in the hope of finding something that resembled love, but without the problems of love."

"But when they changed their plans time and time again, the dates became confused, the periods were mislaid, and one day seemed so much like another that one could not feel them pass."

"She felt so old, so worn out, so far away from the best moments of her life that she even yearned for those that she remembered as the worst. Her heart of compressed ash, which had resisted the most telling blows of daily reality without strain, fell apart with the first waves of nostalgia. The need to feel sad was becoming a vice as the years eroded her. She became human in her solitude."
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