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John Fogerty

"Washburn's an old American name, but this one was assembled overseas."

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"Washburn's an old American name, but this one was assembled overseas."

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Amber Hurdle

"Americans are very friendly and very suspicious, that is what Americans are and that is what always upsets the foreigner, who deals with them, they are so friendly how can they be so suspicious they are so suspicious how can they be so friendly but they just are."

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Amber Hurdle

"So in our pride we ordered for breakfast an omelet, toast and coffee and what has just arrived is a tomato salad with onions, a dish of pickles, a big slice of watermelon and two bottles of cream soda."

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Amber Hurdle

"Rap actually took root in the Negro community, and then in the Hispanic community, long before it impacted on the larger American community as a whole."

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Amber Hurdle

"I don't understand American football at all. It looks like all-in wrestling with crash helmets."

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Amber Hurdle

"I remember the Curia said, that's up to the American bishops, not up to Rome."

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Amber Hurdle

"The 1970s, the decade of my teenage years, was a transitional period in American youth culture."

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Amber Hurdle

"The down side of Americans being obsessed with pop culture is that they kind of like it light."

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Amber Hurdle

"I have no doubts that it will be a major sport-in the United States. I'm probably not going to live to see that day because Americans are a little afraid of getting interested in something at which they're not very good."

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Amber Hurdle

"Americans enjoy uniformity in a way that the British don't; they wanted everybody of a sort of nice chorus line height and here I was, this person who was a good three inches taller than anyone else on the end of the line."

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Amber Hurdle

"The only difference between the Bel Air of the '90s and the Bel Air of my childhood is that now the nannies are Latina instead of British, and the cars European instead of American."

Explore more quotes by John Fogerty

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John Fogerty
"That song has the full extent of my mandolin abilities; I'm not a good mandolin player at all."
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John Fogerty
"On Eye of the Zombie, I had so-called studio musicians."
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John Fogerty
"I'm now comfortable playing a lot of the old songs, and I've gotten out a lot of the old equipment."
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John Fogerty
"When I made Blue Moon Swamp, there was a lot of trial and error; I was trying to find people who would be simpatico with my style, and with what I had in mind for the album."
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John Fogerty
"You should play with real musicians; the best music comes from real people interacting with each other."
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John Fogerty
"Even though I have often recorded alone, I still feel the best music is made by musicians playing off each other."
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John Fogerty
"I thought what I was good at doing was playing real simple guitar licks, since I'd cut my teeth on what Duane Eddy was doing; licks that were simple but had staying power."
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John Fogerty
"There's just not a lot of guys around playing like that these days; a lot of steel players are plugging into stomp boxes, trying to sound like Jeff Beck on a steel guitar."
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John Fogerty
"I went pretty much for one tone, and I knew at that time that I wanted to play a Rickenbacker."
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John Fogerty
"I've studied a lot of great people over the years - Pete Seeger, James Brown - and tried to incorporate elements that I've admired, though I can't say I dance like James."
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